The Wiz - Das Zauberhafte Land - Der Film

Ich lese , höre und beobachte immer wieder , dass es noch immer einige Michael-fans gibt , die den film The Wiz nicht kennen bzw. gesehen haben . Den film gibt es bei saturn , amazon oder ebay für ein paar euro auf DVD und hat eine herrliche bildqualität . Seit längerer zeit gibt es den film sogar als Blu Ray , aber die qualität einer DVD reicht vollkommen aus , um den film selbst bei hohen ansprüchen geniessen zu können , ausserdem haben wohl die wenigsten von uns einen Blu Ray player . Ich habe den film zwar nicht in voller länge finden können , aber der trailer sollte lust auf mehr machen . (die deutsche DVD-fassung hat natürlich eine deutsche synchronisation !) [Sie müssen registriert oder eingeloggt sein, um das Bild sehen zu können.]




The Wiz – Das zauberhafte Land ist ein US-amerikanisches Musical von William F. Brown, das 1978 von Sidney Lumet verfilmt wurde. Es basiert auf dem Buch Der Zauberer von Oz von L. Frank Baum.

Handlung :
Die Originalstory von L. Frank Baum verlegte William F. Brown nach Harlem in New York City in das Milieu einer afro-amerikanischen Familie. Dorothy ist Kindergärtnerin und lebt mit ihrem Hund Toto bei Tante Emma und Onkel Henry. Nach einem Familienfest läuft am späten Abend Toto zur Tür hinaus, während auf der Straße ein Schneesturm tobt. Dorothy läuft ihm hinterher und fängt ihn wieder ein. Dabei wird sie von einer Sturmbö erfasst und in ein Phantasieland fortgetragen. Beim Eintreten in diese fremde Welt wird durch Dorothy die böse Fee erschlagen und Dorothy erhält wunderbare silberne Schuhe. Doch würde sie viel lieber mit Toto wieder nach Haus. Die Bewohner des zauberhaften Landes weisen ihr den Weg zu The Wiz. Der Zauberer ist der einzige, der sie wieder nach Hause führen kann. Auf dem Weg trifft sie auf die Vogelscheuche, die sich ein Hirn wünscht, den Blechmann, der sich ein Herz wünscht und den Löwen, der sich Mut wünscht. Gemeinsam laufen sie über die gelb gepflasterte Straße, die nach Smaragd City führt, wo The Wiz residiert. Als sie dort ankommen werden die Freunde zum Zauberer vorgelassen, der jedoch von Dorothy verlangt, dass sie auch die böse Schwester der bösen Fee tötet. Erst dann darf sie wieder nach Hause. Es gelingt ihr mit Hilfe der Vogelscheuche die böse Fee zu töten, doch muss sie bald feststellen, dass The Wiz nur ein Betrüger war und ihr nicht weiterhelfen kann. Daraufhin erscheint Glinda, die gute Fee und verhilft ihr zur Heimkehr.

Hintergrund :
Das Musical The Wiz war bereits 1975 ein Broadwayerfolg. Film wie Bühnenshow wurden ausschließlich mit afro-amerikanischen Schauspielern und Tänzern besetzt. Die Musik von Charlie Smalls wurde von Quincy Jones im Stile von Motown arrangiert. In einer Szene in Smaragd City ist Jones auch als goldgekleideter Pianist zu sehen. Die aufwendigen Tanzszenen wurden von Louis Johnson choreographiert. Seine Tanz-Company stellte auch den größten Teil des Tanzensembles.
Am 24.Juni 2012 zeigte der Kultursender arte zum ersten mal das Musical im deutschen Free-TV.

http://de.wikipedia.org/wiki/The_Wiz_–_Das_zauberhafte_Land





Quincy Jones hat auch eine kleine rolle in dem film , er sitzt während der "Emerald City Sequence" am klavier . Ausserdem ist er für die musik des films verantwortlich und ich kann euch den soundtrack , den es auch auf einer doppel-CD zu kaufen gibt , nur wärmstens empfehlen . Alle musikstücke , die in dem film zu hören sind , sind auf den beiden CD´s vorhanden und es ist ein genuss , sich die songs anzuhören und dabei gewisse szenen des films vor augen zu haben .

Auch wichtig zu erwähnen ist, dass Michael und Quincy sich bei den dreharbeiten zu "The Wiz" kennengelernt haben und was daraus enstanden ist , wissen wir alle nur zu gut . [Sie müssen registriert oder eingeloggt sein, um das Bild sehen zu können.]

Diesen Sommer starben Maskenbildner Michael Thomas und Popstar Michael Jackson innerhalb von zwei Monate voneinander. Hier erinnerte sich Thomas, der Jackson's Visagist für The Wiz war,an einige unvergessliche Erlebnisse mit Jackson auf und hinter der Bühne. Thomas Witwe, Christine Domaniecki, teilte Thomas Erinnerungen mit uns.

ZAUBEREI HINTER (den kulissen) THE WIZ

Bei The Wiz hatten wir von jedem Darsteller der als Hauptfigur auftrat vac-u? Vordrucke aus Gipsmasken gemacht (einschließlich vom Feigen Löwen, dem Dosenmann und der Vogelscheuche, gespielt von Michael Jackson). Sie wurden gemacht, da etwa jede Woche das Los Angeles Stan Winston's Forschungslabor einen Haufen frisch gefertigte Schaumlatex-Vorrichtungen, von den Akteuren, nach New York ausliefern würden, wo wir den Film drehten.

Nachdem ich die Vogelscheuchen-Vorrichtung mit nach Hause genommen habe, brachte ich die Schaumlatexteile leicht an den Vac-u-Vordruck an und färbte sie vor. Ich sparte mir eine Menge Einwirkzeit als wir im Schminkraum der Kaufmann-Astoria Studios waren. Die Schaumlatexstücke im Vordruck während des Vorfärbens aufzubewahren, hielten sie in ihrer Form, in der Art und Weise wie ein Kleiderbügel Falten im Mantel vermeidet. Auf der Innenseite von einer der Formen sind mehrere Farbproben zu sehen. Ich duplizierte die Farben der Vogelscheuchen-Theaterschminke in Acrylfarben. Ich brachte ebenfalls Acrylfarben auf die Halskrause auf die er trug, hätte ich Theaterschminke verwendet, hätte sie sich am Kostüm abgerieben .

Am Ende des Films durften wir die Vordrucke behalten. Ich habe etwa fünf.

Jeden Morgen machte ich Michaels Maske unter Verwendung einer haarlosen Haube um seine Haare zu fixieren, welche gegenwärtig zu besonders kleinen Zöpfen geflochten waren. Danach verwendete ich die Schaumlatexteile: ein Stirnteil, zwei Wangenteile, ein Nasenteil(welches angeblich so aussah wie Reeses Peanut Butter Cup-Umhüllung,- Leckerei aus Amerika anm.), ein Kinnteil und eine Halskrause. Morgens machte man weiter und dann mußte es tagsüber erhalten bleiben.

Da die Vogelscheuche eine Zeichentrickfigur war, machte Michael eine Menge übertriebener Gesichtsausdrücke, um sie zum Leben zu erwecken. Die Gesichtsübungen sahen großartig aus, aber sie lockerten auch die Schaumlatexteile, so mußte ich neu kleben und die Schminke neu aufbringen.(mehr dazu im Make-Up Artist Magazin, Ausgabe 81, vom Martini Shot). Um die Maske letztendlich abzubekommen, stellte ich mich hinter Michael hob hinten die Haube an und zog sie ihm über den Kopf ab. Die Haube und die Schaumlatexteile lösten sich mehr oder weniger in einem Stück ab.

Aber dann duckte ich mich hinter seinem Stuhl so dass er mein Spiegelbild nicht sehen konnte, setzte die Maske (welche jetzt gespenstisch aussah) auf meine Hand, richtete sie langsam hinter seinem Kopf auf und wackelte damit, machte “OOODLE-OOODLE-DOOODLE-DE-OOOOHHH!” Er lachte wie verrückt, als wäre dies eines der lustigsten Dinge die er jemals gesehen hatte. Ich genoss seinen kindlichen Sinn für Humor, ich konnte irgendwelche blöden Dinge sagen oder machen, es würde der große Brüller werden. Ich entfernte dann die Reste der Schminke, Kleber und Klebemittel und das war's. Wir gingen nach Hause und machten uns bereit für die Dreharbeiten am nächsten Tag.

Im Gespräch erzählte ich Michael eines Tages, dass ich mir als kleiner Junge das Zeichnen selbst beibrachte, was so ziemlich der Start meiner Entwicklung zum Maskenbildner war. Er verlangte ein Beispiel zu sehen. Ich nahm einen Stift und zeichnete eine schnelle Skizze von Frankensteins Monster. Er mochte es. Er sagte dass er und seine Brüder und Schwestern manchmal ein Spiel spielen um die Langeweile zu vertreiben: Einer von ihnen würde ein paar abstrakte Linien auf ein Stück Papier zeichnen, es einem anderen Geschwister geben und sagen,"OK, jetzt mache daraus ein Feuerwehrauto, oder einen Baum,"e.t.c., und das andere Geschwister muss die Zeichnung in einer bestimmten Zeit vollenden.

Als ich dieses Spiel mit Michael spielte, versuchte ich ihn durch Zeichnen einiger kurvenreichen Linien, die ich mir nicht als Katze vorstellen konnte, auszutricksen. Was mich anbelangt, sahen die Linien nicht aus wie eine Katze.So sagte ich, "Na los, zeichne eine Katze aus diesen Linien!" Und innerhalb 30 Sekunden hatte er eine Katze gezeichnet. Nicht so wie ich eine sehen würde,stehend auf allen Vieren, sondern eine Miezekatze schlafend zusammenerollt.

Dann machte er auf der Stelle ein paar zusätzliche Zeichnungen und ich behielt sie mit seinem Segen. Auf einer der Zeichnungen war ein Gesicht eines Mannes. Es ist sehr skizzenhaft und irgendwie impressionistisch, aber da sind ein paar unheimliche Ähnlichkeiten zwischen der Zeichnung die er machte und seinem eigenem Gesicht, später, nachdem er derartige Schönheitsoperationen machen ließ.

AUSSERHALB

Es gibt ein Phänomen dass häufig auftritt wenn ein Maskenbildner und ein Schauspieler zusammen arbeiten:sofortige Vertrautheit, Visagisten und Hairstylisten sind irgendwie eine Art von Psychatern oder Barkeeper. Du bist im selben Raum, körperlich nahe jeweils für Stunden manchmal für viele Tage. Da Menschen gewöhnlich das verlangen haben zu reden, wechselt der Inhalt häufig von Tratsch zu einigen sehr ernsten Themen. Und obwohl wir beide nur zusammen an einem Film arbeiteten, haben wir uns ziemlich gut kennengelernt.

Eines Abends lud ich Michael zum Abendessen ein. Wir mußten darüber stillschweigen bewahren, denn wenn es jemand herausgefunden hätte, würde es sich wie ein Lauffeuer verbreiten. Es war 1978, und im Alter von 19 Jahren war Michael bereits rund um die Welt bekannt. So kam er bei uns mit seinem bewaffneten Bodyuard, Spence, im Appartement in Bergenfield, New Jersey vorbei. Zum Abendessen gab es Cornish game hen und auf Michaels Wunsch, Stove Top Stuffing, von dem er sagte die Leute in seiner Heimatstadt Gary, Indiana bezeichneten es als "dressin". Er grub während des Essen wirklich darin herum:er hatte überall Essen im Gesicht, auf dem Tisch, über seiner Kleidung. Er war sehr leidenschaftlich bei allem was er tat, und ich vermute essen war eines dieser Dinge.

An diesem Abend hatten wir eine tolle Zeit. Denn ich spielte ein bißchen Gitarre, und ich zeigte ihm auf meiner akustischen Gitarre, wie ein paar leichte Akkorde zu spielen sind. Er hat immmer Leute bewundert die Musikinstrumente spielen konnten, und oftmals darüber phantasiert der Lead Gitarrist in einer Rockband zu sein.

Damals trat der Comedian Robert Klein bei Saturday Night Live auf:er kam mit einer Harmonika, gab der Band
den Takt vor durch aufstampfen seines Fußes, und schrie," Lasst mich etwas Blues hören!" Die Band stimmte die Einleitung einer Blues-Nummer an, und er begann gemeinsam mit ihnen Harmonika zu spielen, stampfte seine Füße auf, pumpte gleichzeitig mit seinen Beinen. Nach der 16-Takt Eröffnung zog er die Harmonika von seinen Lippen und sang, seine Füße immer noch aufstampfend, "Ich kann nicht aufhören meine Beine zu bewegen, Liebling...Ich kann nicht aufhören meine Beine zu bewegen, kleines Määäädchen!" (klingt auf deutsch irgendwie blöd...) Nun, Michael machte das einen riesengroßen Spaß. Während ich also eine Blues Akkord Sequenz auf meiner Gitarre spielte, stampfte Michael seine Füße auf und sang, "Ich kann nicht aufhören meine Beine zu bewegen!" Irgendwann während er sang sagte er, "Nun Leute, hört mir zu" und ich hörte auf weil er sich da ziemlich hineinsteigerte. Von diesem Besuch an, bekam ich das Gefühl dass er ein ganz normales, gesundes Kind war.

So habe ich den großen Michael Jackson ein wenig kennengelernt. Einmal erzählte er mir das egal was immer er auch gerade tun musste-an einem Film arbeiten, eine Aufzeichnung schneiden, auf der Bühne auftreten-es war während er das tat das wichtigste in seinem ganzen Leben. Es hat sich wahrlich gezeigt. Ganz egal was er tat, sein Talent sprach-und sang, und tanzte-für sich selbst.

Michael war eine sehr besondere Person dessen Leben eines mit Extremen war. Er genoß normale, bodenständige Dinge, aber ebenso erwarb er eine lebenslange Mietgliedschaft in einem sehr exclusiven Club. Sein Talent, durch lebenslange Disziplin, erreichte die Herzen von unzähligen Bewunderern und formte die Musik für alle Zeit um. Seine Kindheit wurde ihm verweigert;ich denke den Rest seines Lebens verbrachte er als Erwachsener damit, zu versuchen sie zum ersten Mal zu leben. Er war ein großes Kind!

Michael Joseph Jackson (* 29. August 1958 in Gary, Indiana; † 25. Juni 2009 in Los Angeles, Kalifornien) war ein US-amerikanischer Sänger, Komponist, Tänzer und Entertainer. Wegen seiner Erfolge wird er als King of Pop bezeichnet. Jackson gilt mit weltweit mehr als 750 Millionen verkauften Tonträgern laut Guinness-Buch der Rekorde als erfolgreichster Entertainer aller Zeiten. Posthum verkauften sich innerhalb eines Jahres bereits weitere 33 Millionen seiner Alben. Jackson wurde bereits als Kind Teil der in den 1970er-Jahren populären Band The Jackson Five. Als Solokünstler veröffentlichte er 1982 mit Thriller das bis heute weltweit meistverkaufte Album. Ebenfalls weltweiten Erfolg hatte er mit den Alben Off the Wall (1979), Bad (1987), Dangerous (1991), HIStory (1995) und Invincible (2001). Die Musikzeitschrift Rolling Stone setzte ihn auf Platz 25 der Liste der besten Sänger aller Zeiten. Bei einer Umfrage des britischen Musikmagazins New Musical Express wurde er bei insgesamt 10 Millionen ausgewerteten Stimmen zum bedeutendsten Sänger aller Zeiten gewählt.

http://de.wikipedia.org/wiki/Michael_Jackson

Diane Ernestine Earle Ross (* 26. März 1944 in Detroit, Michigan) gehört zu den erfolgreichsten amerikanischen Sängerinnen der Musikgeschichte. Ferner ist sie auch als Musikproduzentin und Schauspielerin in Erscheinung getreten. Sie prägte als Frontsängerin der Girl Group The Supremes die Soul- und Popmusik der 1960er Jahre sowie die Plattenfirma Motown und stieg ab 1970 „zu einer schillernden Superstar-Persönlichkeit auf, die jedes Genre populärer schwarzer Musik beherrschte“. Mit sechs Nummer-eins-Hit alleine in den USA, bewies Ross ihre Wandlungsfähigkeit auch als Schauspielerin in ihrem Oscar-nominierten Debüt als Billie Holiday in Lady Sings the Blues. Mit den dazugehörigen Jazz-Aufnahmen hatte sie ebenso großen Erfolg wie ab Mitte der 1970er Jahre mit ihren Disco-Werken. Mit dem weltweiten Nummer-eins-Hit Upside Down etablierte sich Ross auch im deutschsprachigen Raum. Die Entertainerin wurde ungezählte Male für alle großen Preise der Showbranche nominiert, darunter zwölf Mal für den Grammy, den sie allerdings erst im Jahr 2012 für ihr Lebenswerk erhielt.

http://de.wikipedia.org/wiki/Diana_Ross

Nipsey Russell (* 15. September 1918 in Atlanta, Georgia, USA; † 2. Oktober 2005 in New York City, New York) war ein US-amerikanischer Schauspieler und Entertainer. Nipsey Russell begann seine Karriere Mitte der 1950er Jahre in Rock'n'Roll-Revuen. Bekannt wurde er in den USA Anfang der 1960er Jahre, als er in der beliebten TV-Comedy-Serie Wagen 54, bitte melden (Car 54, Where Are You?) den Officer Anderson spielte. Nach einem Jahr verließ er die Serie und trat in diversen Serien und Shows wie The Jacky Gleason Show, The Dean Martin Show oder Toast of the Town/The Tonight Show Starring Johnny Carson auf und machte sich dabei einen Namen als großer Komödiant. In den 1970er Jahren war Russell Moderator mehrerer Gameshows wie To Tell the Truth. Er war bekannt dafür, hier ab und an lustige Gedichte vorzutragen, was auch zu seinem Spitznamen The Poet Laureate of Television führte. In Kinofilmen trat er nur sehr selten auf, dennoch ist er vor allem auch für seine Rolle als Blechmann in The Wiz – Das zauberhafte Land (Remake von Der Zauberer von Oz) bekannt. Ein wichtiges Standbein seiner Karriere war über Jahrzehnte der Broadway, an dem er in diversen Shows auftrat.
Am 2. Oktober 2005 starb Nipsey Russell im Lennox Hill Hospital in New York City an Krebs.

http://de.wikipedia.org/wiki/Nipsey_Russell

Ted Ross (* 30. Juni 1934 in Zanesville, Ohio; † 3. September 2002 in Dayton, Ohio) war ein US-amerikanischer Schauspieler.
Ted Ross war ein afro-amerikanischer Schauspieler, der seit seinem siebten Lebensjahr in Dayton, Ohio lebte. Seine bekannteste Filmrolle war 1978 die des Löwen in The Wiz – Das zauberhafte Land an der Seite von Diana Ross und Michael Jackson. Er spielte diese Rolle bereits in der Broadwayaufführung des Musicals 1975. Weitere bekannte Filme waren Ragtime von Miloš Forman und Arthur – Kein Kind von Traurigkeit, in dem er an der Seite von Dudley Moore und Liza Minnelli agierte. Seinen letzten Filmauftritt absolvierte er 1991 in Terry Gilliams Drama König der Fischer.

http://de.wikipedia.org/wiki/Ted_Ross

Richard Franklin Lennox Thomas Pryor III, genannt Ritchie, (* 1. Dezember 1940 in Peoria im US-Bundesstaat Illinois; † 10. Dezember 2005 in Encino (Los Angeles), Kalifornien) war ein US-amerikanischer Schauspieler und Comedian. Pryor diente 1958 bis 1960 in der United States Army. Im Jahr 1969 zog er nach Berkeley, wo er beim Plattenlabel Laff Records einige Platten mit Sketchen veröffentlichte. Dazu gehörten unter anderem Craps (After Hours) (1971), Are You Serious??? (1977), Who Me? I'm Not Him (1977) und Black Ben The Blacksmith (1978). Pryor spielte in zahlreichen Filmen wie Die Glücksjäger (1989, neben Gene Wilder und Kevin Spacey), Harlem Nights (1989, neben Eddie Murphy) und Lost Highway (1997, neben Bill Pullman und Patricia Arquette). Er war auch einer der Autoren des Drehbuchs des Films Der wilde wilde Westen aus dem Jahr 1974, bei dem Mel Brooks Regie führte. Besonders populär wurde er als Filmpartner von Gene Wilder in verschiedenen Produktionen.

http://de.wikipedia.org/wiki/Richard_Pryor

Lena Calhoun Horne (* 30. Juni 1917 in Brooklyn, New York City; † 9. Mai 2010 in Manhattan, New York City) war eine US-amerikanische Sängerin und Schauspielerin. Lena Horne, die nicht nur afroamerikanische, sondern auch europäische und indianische Vorfahren hatte, sammelte an der Seite ihrer Mutter Edna Scottron, einer Tourneeschauspielerin, bereits erste Bühnenauftritte. 1934 debütierte sie als Tänzerin im Cotton Club, wo sie auch im Orchester von Cab Calloway sang. Mit dem Noble Sissles Orchester ging sie 1935/36 auf Tournee und nahm zwei Plattenseiten für Decca Records auf (That's What Love Means to Me und I Take to You). Als ihre Karriere gerade beginnen sollte, heiratete sie und kehrte erst 1938 wieder auf die Bühnen- und Musikszene zurück, hatte eine kleine Rolle in dem Film „The Duke Is Tops“, hatte danach ihr Debüt auf dem Broadway als „A Quadroon Girl“ in dem Musical „Dance with Your Gods“, trat 1939 im Blackbirds auf und sang in Charlie Barnets Orchester („Good For Nothing Joe“, „Haunted Town“ 1940/41) als erste afroamerikanische Sängerin in einem rein weißen Orchester. Doch die Demütigungen durch die Rassendiskriminierung entmutigten sie, und sie kehrte nach New York zurück.

http://de.wikipedia.org/wiki/Lena_Horne

Mabel King (December 25, 1932 – November 9, 1999) was an American film, stage and television actress.
King was born Donnie Mabel Elizabeth Washington in Charleston, South Carolina, the daughter of Rosalie Washington.[1] She was raised in Harlem where she eventually became a gospel and nightclub singer. She did not start acting until her mid thirties, in 1966, when she played the role of Maria in the national touring play of Porgy and Bess. The following year she played the role of Ernestina in the Broadway musical/comedy Hello, Dolly!. Then in 1972, she appeared in the Broadway musical Don't Play Us Cheap. The following year, 1973, she appeared in the film version of the play. That same year she played the Queen of Myrthia in the horror film Ganja & Hess.

http://en.wikipedia.org/wiki/Mabel_King

Sidney Lumet ['sɪdni luːˈmɛt] (* 25. Juni 1924 in Philadelphia, Pennsylvania; † 9. April 2011 in New York City) war ein US-amerikanischer Regisseur, Drehbuchautor und Schauspieler. Nach der Arbeit als Theaterschauspieler war er ab Beginn der 1950er Jahre als Fernsehregisseur tätig. Internationale Bekanntheit brachte ihm die Regie an Die zwölf Geschworenen (1957) ein, dem weitere preisgekrönte Kinoproduktionen (unter anderem Serpico, Hundstage, Network, The Verdict) folgten. Er führte bei mehr als 70 Film- und Fernsehproduktionen aller Genres Regie und wurde im Verlauf seiner sechs Jahrzehnte währenden Karriere viermal für den Regie- und einmal für den Drehbuch-Oscar nominiert. 2005 gewann der als „Meister des Justizfilms“ gepriesene Lumet den Ehrenoscar für sein Lebenswerk.

http://de.wikipedia.org/wiki/Sidney_Lumet

Das Script von The Wiz :

OH, HELLO THERE, HONEY !
NICE TO SEE YOU ! THIS IS MY SON.
HOW DO YOU DO ? DOROTHY, THIS HERE'S GIL WARREN.
HI. IT'S SO GOOD TO SEE YOU.
[ Indistinct Chatter ]
DON'T WORRY, GIL. SHE'S JUST SHY.
I BROUGHT YOU SOME TEA.
LOOK ! HERE THEY COME.
COME ON, THEY'RE COMING !
[ Indistinct Chatter ][ Crying ] SHH.
[ Baby Crying ]
[ Laughing, Indistinct Chatter ]
WE'RE GETTING READY TO SET THE TABLE.
TAKE THESE CHECKERS SOMEPLACE ELSE.
HERE, YOU TAKE THESE.
COME ON, HENRY, BE CAREFUL. COME ON.
OH, MAN, YOU ALWAYS DROP THE CHECKERS WHEN I'M -- THAT'S THE WAY YOU WIN !
TOTO ! TOTO ! TOTO BABY !
[ Indistinct ]
[ Indistinct Chatter ]
" PUT YOUR ARMS AROUND ME CHILD "
" LIKE WHEN YOU BUMPED YOUR SHIN "
" THEN YOU'LL KNOW I LOVE YOU NOW "
" AS I LOVED YOU THEN "
" THOUGH YOU MAY BE TRYING SOMETIMES "
" AND I need you AND YOU'RE NOT THERE "
" YOU KNOW I MAY GET MAD "
" AND TURN AWAY "
" BUT YOU KNOW THAT I STILL CARE "
" DON'T LOSE THE FEELING THAT WE HAVE "
" DON'T LOSE THE FEELING THAT WE HAVE "
" THOUGH YOU'RE GROWIN' OLDER NOW "
" AND I'M WATCHING YOU GROW "
[ Cheering ]
" I KNOW I MAKE YOU SAD SOMETIMES "
" AND I SEE YOUR FEELINGS SHOW "
" BUT ONE DAY I'LL LOOK AROUND "
" AND YOU WILL BE GROWN "
" YOU'LL BE OUT IN THE WORLD SUCH A PRETTY GIRL "
" BUT YOU'LL BE ON YOUR OWN "
" AND I'D LIKE TO KNOW IT'S THERE "
" THE FEELIN' THAT WE HAVE "
" KNOWING THAT YOU CAN COME TO ME "
" WHENEVER YOU ARE SAD "
" CHILD I'D LIKE TO KNOW IT'S THERE "
" THE FEELING THAT WE HAVE "
DON'T LOSE THE FEELING THAT WE HAVE "
" DON'T LOSE THE FEELING THAT WE HAVE "
" DON'T LOSE THE FEELING THAT WE HAVE "
" DON'T LOSE THE FEELING THAT WE HAVE "
" DON'T LOSE THE FEELING THAT WE HAVE "
" DON'T LOSE THE FEELING THAT WE HAVE "
" DON'T LOSE THE FEELING ""
" LOSE IT " " LOSE IT "
" I DON'T EVEN KNOW THE FIRST THING "
" ABOUT WHAT THEY'RE FEELIN' "
" WHAT AM I AFRAID OF "
" DON'T KNOW WHAT I'M MADE OF "
" CAN I GO ON "
" NOT KNOWIN' "
" FEELIN', FEELIN' "
" SOMETHIN' TELLS ME THAT IT'S MORE THAN I "
" CAN DEAL WITH "
" THOUGH I NEVER KNEW THE SONG "
" SOME WORDS STILL CATCH ON "
" LIKE CARIN' "
" AND SHARIN' "
" BEING TOGETHER "
" NO MATTER "
" CAN I GO ON "
" NOT KNOWIN' "
" DON'T KNOW WHAT I'M MADE OF "
" Why AM I AFRAID OF "
" FEELIN' "
" FEELIN' "
" IF I DARED TO TAKE A CHANCE "
" WOULD SOMEONE "
" LEAD ME ""
[ TV ]
EMERGENCY SNOW ALERT IS NOW IN EFFECT.
NO AUTOMOBILES ARE TO BE DRIVEN WITHOUT SNOW TIRES OR CHAINS.
WINDS UP TO 45 MILES PER HOUR --
THAT WAS A GREAT DINNER, EMMA.
THAT BABY ! YOU'RE A GRANDPA !
OUR DAUGHTER'S FINE.
BUT DOROTHY.
GIVE HER TIME, HONEY.
GIVE HER TIME.
[ Chuckling, Kissing Sounds ]
[ Indistinct Noise ]
[ Emma ]
THOSE DISHES AIN'T GONNA WASH THEMSELVES.
MRS. WARREN'S SON LOOKS REAL FINE, DON'T HE ?
AUNT EM, PLEASE, NO MORE MATCHMAKING.
DID YOU MAKE THE DECISION ABOUT THAT NEW SCHOOL YET ?
IT'S NO DECISION TO MAKE.
BUT, HONEY, IT'S A CHANCE TO TEACH IN HIGH SCHOOL.
GET AWAY FROM THAT KINDERGARTEN ONCE AND FOR ALL. IT'S MORE MONEY.
BUT BESIDES THE MONEY, IT'S A CHANCE FOR YOU TO BE WITH OLDER STUDENTS.
ALMOST ADULTS.
I LIKE IT WITH THE KIDS, AUNT EM.
I KNOW YOU DO, HONEY.
AND YOU'RE A FINE TEACHER.
BUT THAT'S Why I THINK YOU'D ENJOY TEACHIN' HIGH SCHOOL.
HAVE A CHANCE TO BE WITH THE STUDENTS FOR FOUR YEARS,
SUCH AN IMPORTANT TIME IN THEIR DEVELOPMENT.
[ Dishes Clanging ]
I'M REALLY HAPPY WITH THE KIDS, AUNT EM.
BUT YOU BEEN THERE FOR THREE YEARS ALREADY.
IT'S TIME YOU GOT OUT OF THAT SANDBOX AND INTO SOME NEW PEOPLE, NEW NEIGHBORHOOD.
GIRL, DO YOU KNOW YOU'RE 24 YEARS OLD AND YOU'VE...
[ Together ]
NEVER BEEN SOUTH OF 125th STREET ?
WELL, YOU HAVEN'T.
[ Chuckling ]
OH, HERE WE GO AGAIN.
YOU GET ME SO WORKED UP...
THAT I'M BEGINNING TO SOUND LIKE A JEWISH MOTHER.
I CAN'T SEE HOW GOIN' SOUTH OF 125th STREET EVER MADE ANYBODY'S LIFE BETTER.
AND YOU'VE NEVER GONNA KNOW UNLESS YOU TRY, ARE YOU ?
COME ON, AUNT EM, LET ME DO THAT.
Why DON'T YOU GO IN AND RELAX ? I CAN DO -- LET ME DO THAT.
LISTEN, I KNOW GETTIN' OUT IN THAT WORLD AIN'T EASY,
LEAVING UNCLE HENRY AND ME.
BUT WE'LL ALWAYS BE HERE FOR YA, DOROTHY.
AND WHATEVER YOUR FEARS ARE, WELL, THEY'LL BE DEFEATED JUST BY FACING UP TO 'EM.
NOW, YOU TAKE THAT NEW JOB AND FIND A PLACE FOR YOU AND TOTO.
IT'S TIME FOR YOU TO MAKE A HOME OF YOUR OWN.
TOTO ! OH ! TOTO !
TOTO ! TOTO ! TOTO !
[ Wind Howling ]
TOTO ! OH ! TOTO !
[ Wind Howling ]
TOTO ! TOTO !
[ Screaming ]
TOTO ! TOTO ! TOTO !
[ Wind Howling ]
" LA, LA, LA, LA, LA " " LA, LA, LA, LA "
[ Crashing, Screaming ]
[ Glass Breaking ]
[ Screaming ]
[ Toto Whimpering ]
[ Dorothy ]
TOTO ! WHERE ARE YOU ?
TOTO ! TOTO ! TOTO ! TOTO !
[ Whimpering ]
OH ! TOTO, TOTO. TOTO, TOTO.
TO-- TO-- TOTO !
TOTO, TOTO. TOTO, TOTO. TO-- TO-- TO--
[ Whimpering ]
[ Indistinct Chatter ]
TOTO !TOTO !TOTO !TOTO !TOTO !TOTO !
GOD, WHERE AM I ?
[ Indistinct Chatter ]
[ Indistinct ]
TOTO ! TOTO !
[ Indistinct ]
TOTO ! TOTO !
[ Sobbing ]
TWO, TWO, TWO, TWO, TWO, TWO, TWO, TWO !
TWO, FOUR, SIX, EIGHT !
WHO DO WE APPRECIATE ?
NO ! NO !
RELAX, MAMA !
WE JUST WANNA LAY A LITTLE THANKS ON YA.
WHAT ?
YOU KNOW, HEAVY ON THE GRATITUDE DEPARTMENT.
GRATITUDE ? FOR WHAT ?
FOR CURLING THE CURSE.
FOR LEVELING THE LEECH.
FOR KILLING OUR OPPRESSOR.
UH ! I NEVER KILLED NOTHIN' IN MY LIFE.
NEVER KILLED THE POINT ?
A PINT ?
A GOOD STORY ?
THE UMPIRE ?
NO !
NEVER KILLED NO TIME ?
NO, I TOLD YOU !
I NEVER KILLED NOTHIN' !
WELL, THEN, I THINK YOU GRADUATED...
FROM THE BUSH LEAGUES INTO THE MAJORS, GIRL.
TOTO ?
CAN YOU DIG THIS ?
[ Gasping ]
Who Is It ?
AIN'T NO MORE "IS" !
THANKS TO YOU,
IT'S A "WAS" !
[ Cheering ]
SHE WAS EVERMEAN.
THE WICKED WITCH FROM THE EAST.
[ Boy ]
AND THEY DIDN'T CALL HER EVERMEAN FOR NOTHIN' !
SHE WAS THE PARKS DEPARTMENT COMMISSIONER !
CAUGHT US PAINTIN' ON HER PLAYGROUND WALLS.
TURNED US INTO GRAFFITI !
AND THERE WE STAYED.
FLAT, SPLAT AND STUCK LIKE THAT !
DOOMED US CARTOONS FOREVER.
'TIL YOU BURNED ALPHABET THROUGH THE SKY AND ENDED THE CURSE.
AND THE "CURSERESS."
GIVIN' A NEW LEASE ON LIFE TO US, THE MUNCHKINS, MOST RECENTLY REFERRED TO AS THE "CURSEES."
TOTO.
LET'S HEAR IT FOR SUPER WITCH AND HER WONDER DOG !
TWO, FOUR, SIX, EIGHT !
WHO DO WE APPRECIATE ?
MISS ONE !
[ Indistinct Yelling ]
[ Cheering ]
[ Laughing ]
[ Cheering ]
COME TO MAMA, YOU HOT LITTLE DIGITS !
LET ME LAY MY 20-20s ON YA !
OH, HOW I LOVE YOU ! LET ME -- MMM !
COUNT THE WAYS !
OH, MMM ! MMM !
INNUMERABLE BLESSINGS, COUNTLESS FELICITATIONS.
THANK YOU BEYOND NUMBER AND ADDITIONAL GOOD STUFF !
I DIDN'T MEAN TO -- I DIDN'T MEAN TO KILL HER.
[ Miss One ]
OH, DON'T BE ALL SIXES AND SEVENS, HONEY.
YOU DID THE WORLD A MULTITUDINOUS SERVICE BY 86ing OL' EVERMEAN.
BOTTOM LINE, HONEY, THIS CHICK PUT THE "UGH" IN UGLY.
[ Laughing ]
BUT SHE SURE HAD PRETTY SHOES, DIDN'T SHE ? YAH !
I DON'T WANT THESE SHOES.
I WANNA GO HOME.
I WOULDN'T DISCOUNT THOSE SHOES, HONEY.
AND DON'T EVER TAKE 'EM OFF UNTIL YOU DO GET HOME.
REMEMBER MISS ONE TOLD YA.
OH, PARDON ME.
MISS ONE'S THE NAME IF YOU HAVEN'T GUESSED BY NOW.
NUMBERS IS MY GAME AND NOW THAT YOU'VE FREED US...
WE CAN ALL GO BACK TO RUNNIN' OUR BUSINESS, AHEM.
WE CAN ALL GO BACK TO RUNNIN' OUR BUSINESS.
WE CAN ALL GO BACK TO RUNNIN' OUR BUSINESS.
BUT WHERE AM I ?
WHERE AM I ?
YOU'RE IN MUNCHKIN LAND !
THE INDIVISIBLE LAND OF OZ !
OZ ?
BUT WHERE'S MY HOME ?
WHERE'S AUNT EM ?
WHERE'S NEW YORK ? - NEW YORK ? - 433 PROSPECT PLACE.
OOH ! FOUR, THREE, THREE.
YOU WANNA PLAY MORE THAN ONE NUMBER TODAY, HONEY ?
I GOT A FREEDOM SPECIAL, THREE NUMBERS FOR THE PRICE --
NO, I DON'T WANNA PLAY ANY NUMBERS.
I JUST WANNA GET HOME !
OH, WELL, NOW THAT OL' EVERMEAN'S NUMBER'S UP, THAT LEAVES ONLY THREE WITCHES IN OZ.
ONE, MYSELF, BUT MY POWERS DON'T AMOUNT TO MUCH.
AND NUMBER TWO, GLINDA, THE GOOD WITCH OF THE SOUTH.
OH, SHE'S A REAL STAR, BUT YOU CAN HARDLY CATCH HER IN.
AND NUMBER THREE, THE MULTI-HORRORED EVILLENE, THE WICKED WITCH OF THE WEST.
[ Group Gasping ]
EVERMEAN'S EVEN UGLIER SISTER !
BUT I DON'T THINK IT'D BE A GOOD TIME TO ASK HER FOR A FAVOR.
SO I FIGURED THE ODDS ARE ONLY THE WIZ COULD CIPHER HOW TO GET YOU BACK TO -- WHERE'D YOU SAY THAT PLACE WAS ?
THE WIZ ?
WHAT'S A WIZ ?
WHAT'S A -- WHAT'S A WIZ ?
OH, DARLIN', HE'S THE ULTIMATE.
[ Cheering ]
THE "X" QUOTIENT, THE NEW MATH.
THE COMMON DENOMINATOR, THE MAIN MAN.
THE HEAD HONCHO !
BOTTOM LINE, HONEY.
NUMERO UNO !
[ Cheering ]
WHERE IS HE ?
HOW DO I FIND HIM ?
CATCH THIS NUMBER, HONEY.
" SWEET THING LET ME TELL YOU ABOUT "
" THE WORLD AND THE WAY THINGS ARE NOW "
" YOU'VE COME FROM A DIFFERENT PLACE "
" AND I KNOW YOU'VE TRAVELED FAR "
" NOW THAT YOU'VE TOLD ME WHAT IT IS "
" I BETTER POINT YOU TOWARD THE WIZ "
" HE'S THE WIZ "
" HE'S The Man HE'S THE ONLY ONE "
" WHO CAN GIVE YOUR WISH RIGHT TO YA "
" HE'LL SEND YOU BACK THROUGH TIME "
" BY RUNNIN' MAGIC THROUGH YA "
" ALL OF HIS SUPER POWERS HIS "
" DOT DOT DA DOT DA "
" LISTEN AND I'LL TELL YOU WHERE HE IS "
" HE'S THE WIZ AND HE LIVES "
" IN OZ "
" HE'S THE WIZARD "
" THERE'S THE WAY "
" TO THE EMERALD CITY THAT'S NOT TOO FAR, IS IT "
" HE'S THE WIZARD "
" JUST TAKE YOUR DILEMMA CHILD "
" AND LAY IT ON THE WIZARD "
" HE'LL FIX YOU A DRINK THAT'LL BUBBLE AND FOAM "
" DOT DOT DA DOT DA "
" AND IN A FLASH YOU WILL BE HOME "
" HE'S THE WIZ "
" HE'S THE WIZ HE'S THE WIZARD OF OZ "
" HE'S GOT MAGIC UP HIS SLEEVE "
" HE'S THE WIZARD "
" AND YOU KNOW WITHOUT HIS HELP "
" IT WOULD BE IMPOSSIBLE TO LEAVE "
" FANTASTIC POWERS AT HIS COMMAND "
[ Together ] WHOO !
" AND I'M SURE THAT HE WILL UNDERSTAND "
" HE'S THE WIZ AND HE LIVES "
" IN OZ "
[ Cheering ]
[ Miss One ]
" SWEET THING LET ME TELL YOU ABOUT "
" THE WORLD AND THE WAY THINGS ARE NOW "
" AND I'D BETTER POINT YA TOWARDS THE WIZ "
[ Together ] WHEE ! OOH ! WHEE !
[ Together ] HE'S THE WIZ !
[ Miss One ]
" FANTASTIC POWERS AT HIS COMMAND "
" I'M SURE THAT HE WILL UNDERSTAND "
" HE'S THE WIZ AND HE LIVES "
" IN OZ "
" SWEET THING LET ME TELL YOU ABOUT "
" THE WORLD AND THE WAY THINGS ARE NOW "
" YOU COME FROM A DIFFERENT PLACE AND I KNOW YOU TRAVELED FAR "
" NOW THAT YOU'VE TOLD ME WHAT IT IS "
" I'D BETTER POINT YOU TOWARD THE WIZ "
" DOT DOT DA DOT DA DOT DOT DA DOT DA "
" HE'S THE WIZ ""
BUT HOW DO I GET TO THE EMERALD CITY ?
COUNT YOUR BLESSINGS, CUT YOUR LOSSES AND FOLLOW THE YELLOW BRICK ROAD.
THE YELLOW BRICK ROAD ?
[ Together ] YEAH ! THE YELLOW BRICK ROAD !
YELLOW BRICK. TOTO !
REMEMBER, DON'T EVER TAKE THOSE SHOES OFF AND WATCH OUT FOR THE POISON POPPIES !
WAIT.
MISS ONE ?
MISS ONE ?
[ Screaming ] MISS ONE !
" THERE'S A FEELING "
" HERE INSIDE "
" THAT I CANNOT HIDE "
" AND I KNOW I'VE TRIED "
" BUT IT'S TURNING ME "
" AROUND "
" I'M NOT SURE THAT I'M AWARE "
" IF I'M UP OR DOWN "
" OR HERE OR THERE "
" I NEED BOTH FEET ON THE GROUND "
" MAYBE I'M JUST GOIN' CRAZY "
" LETTIN' MYSELF GET UPTIGHT "
" I'M ACTIN' JUST LIKE A BABY "
" BUT I'M GONNA BE "
" I'M GONNA BE ALL RIGHT "
" SOON AS I GET HOME "
" SOON AS I GET HOME "
" SOON AS I GET HOME "
" IN A DIFFERENT PLACE "
" IN A DIFFERENT TIME "
" DIFFERENT PEOPLE AROUND ME "
" I WOULD LIKE TO KNOW "
" OF THEIR DIFFERENT WORLD AND HOW "
" DIFFERENT THEY FIND ME "
" AND JUST WHAT'S A WIZ "
" IS HE BIG WILL HE SCARE ME "
" IF I ASK TO LEAVE "
" WILL THE WIZ EVEN HEAR ME "
" HOW WILL I KNOW THEN "
" IF I'LL EVER GET HOME AGAIN "
" HERE I AM ALONE THOUGH IT FEELS THE SAME "
" I DON'T KNOW WHERE I'M GOIN' "
" I'M HERE ON MY OWN AND IT'S NOT A GAME "
" AND A STRANGE "
" WIND IS BLOWIN' "
" I'M SO AMAZED AT THE THINGS THAT I SEE HERE "
" DON'T WANNA BE AFRAID I JUST DON'T WANNA BE HERE "
" IN MY MIND THIS IS CLEAR "
" WHAT AM I DOIN' "
" HERE "
" I WISH "
" I WAS HOME "
" I WISH, I WISH "
" I WISH I WAS ""
[ Chuckling ]
WAIT ! MISTER, PLEASE WAIT !
[ Crow Cawing ]
[ Indistinct Chatter ]
HA, HA, HA, HA ! SUCCULENT AND DIVINE !
DELICIOUS AND NUTRITIOUS. BROTHER CROWS, THIS IS GOOD STUFF !
I'M GLAD YOU FELLOWS ARE ENJOYING YOUR BREAKFAST.
IS TODAY THE DAY YOU'RE GONNA HELP ME GET DOWN FROM HERE ?
[ Together ] HELP YOU DOWN ?
WHAT IS GOIN' DOWN IN THAT HAYLOFT YOU CALL A HEAD ?
DIDN'T WE TELL YOU YESTERDAY AND THE DAY BEFORE THAT...
AND THE DAY BEFORE THAT -- THAT YOU CAN'T GET DOWN ?
THIS IS YOUR LIFE, BUDDY, ALL HUNG UP !
[ Group Laughing ]
BESIDES, CLYDE,
US CROWS ARE JUST THINKIN' OF YOU.
THERE AIN'T NOTHIN' TO GET DOWN FOR !
[ Scarecrow ]
BUT I WAS JUST THINKIN', JUST ONCE, FELLAS,
FOR A LITTLE WHILETO WALK IN MY GARDEN, WOULDN'T THAT BE TERRIFIC ?
[ Together ] WALK ! YOU CAN'T WALK !
Why, YOU JUST A STRAW PAPER DUMMY !
YOU'RE RIGHT, FELLAS. I WAS JUST BEIN' SELFISH.
[ Together ] AND STUPID AS USUAL !
BUT I WAS READIN' THIS MORNING THAT MOST PEOPLE -- OH, MAN !
LOOK, DIDN'T WE TELL YOU READIN' WAS A WASTE OF TIME ?
BUT BACON HERE SAID -- BACON ? ONCE OVER LIGHTLY, PLEASE !
- "KNOWLEDGE IS POWER."
- [ Laughing ]
SEE, AND, UH, CICERO, HE SAID... CICERO-RO-ROW !
"MORE MEN ARE ENNOBLED BY STUDY THAN BY NATURE."
[ Laughing,
Indistinct Chatter ]
AND OVER HERE, ESPECIALLY APROPOS IN MY SITUATION,
I.E., STUCK UP ON THIS HERE POLE,
"DO NOT ACCEPT ANY SITUATION, QUESTION, ARGUE AND EXPLORE."
[ Crows Laughing ]
NOW WHO YOU GONNA BELIEVE ?
- MR. NOBODY ON THAT PAPER ? - FELLAS, PLEASE !
OR YOUR GOOD FRIENDS, THE CROWS ?
YEAH, WHO HAVE DEDICATED THEIR LIVES TO EDUCATIN' YOU.
YEAH ! SOUNDS TO ME, FELLAS,
LIKE OL' GARBAGE GUTS HERE DONE FORGOT THE CROW COMMANDMENTS AGAIN.
FELLAS, I DID NOT FORGET THE CROW COMMANDMENTS. PLEASE !
RUN 'EM BY ME ! RUN 'EM BY ME.
THOU SHALT HONOR ALL CROWS. RIGHT ON !
PROCEED ! THOU SHALT STOP READIN' ALL BITS OF PAPER AND LITERATURE.
TRASH ! TRASH ! AND THE MOST IMPORTANT ONE !
THOU SHALT NEVER, NEVER GET DOWN OFF OF THIS HERE POLE !
[ Together ] YOU GOT IT, CLYDE !
AND THE CROW ANTHEM !
I GOTTA SING THAT THING AGAIN ?
" YOU GOTTA LIBRETTI IT 'TIL YOU GET IT "
" ELUCIDATE "
" REITERATE "
" AND SYNCOPATE "
" YOU CAN'T WIN YOU CAN'T BREAK EVEN "
" AND YOU CAN'T GET OUTTA THE GAME "
" PEOPLE KEEP SAYIN' "
" THINGS ARE GONNA CHANGE BUT THEY LOOK JUST LIKE "
" THEY'RE STAYIN' THE SAME "
" YOU GET IN WAY OVER YOUR HEAD "
" AND YOU ONLY GOT YOURSELF TO BLAME "
" YOU CAN'T WIN CHILD "
" YOU CAN'T WIN CHILD "
" YOU CAN'T BREAK EVEN "
" YOU CAN'T GET OUTTA THE GAME "
" YOU CAN'T WIN THE WORLD KEEPS MOVIN' "
" AND YOU'RE STANDIN' FAR BEHIND "
" PEOPLE KEEP SAYIN' "
" THINGS'LL GET BETTER "
" JUST TO EASE YOUR STATE OF MIND "
" SO YOU LEAN BACK "
" AND YOU SMOKE THAT SMOKE "
" AND YOU DRINK YOUR GLASS OF WINE "
" SAYIN' YOU CAN'T WIN CHILD "
" YOU CAN'T BREAK EVEN "
" AND YOU CAN'T GET OUTTA THE GAME "
" YOU CAN'T WIN "
" YOU CAN'T WIN NO WAY IF YOUR STORY STAYS THE SAME "
" YOU AIN'T WINNIN' "
" OH NO "
" BUT I'D LIKE TO SEE YOU I'M AWFULLY GLAD YOU CAME "
" BETTER COOL IT 'CAUSE IT AIN'T ABOUT LOSIN' "
" THEN THE WORLD HAS GOT NO SHAME "
" YOU CAN'T WIN CHILD "
" CAN'T BREAK EVEN CAN'T GET OUTTA THE GAME "
" YOU CAN'T WIN YOU CAN'T BREAK EVEN "
" AIN'T THE WAY IT'S SUPPOSED TO BE "
" YOU'LL BE SPENDIN' YOUR LITTLE BIT OF MONEY "
" OH NO "
" WHILE SOMEONE ELSE RIDES FOR FREE "
- " LEARNED YOUR LESSON "
- OOH !
" REFUEL YOUR MIND BEFORE SOME TURKEY BLOWS OUT YOUR FLAME "
- " AND YOU CAN'T WIN CHILD " - " NO YOU CAN'T WIN "
- " YOU CAN'T WIN CHILD " - " NO YOU CAN'T WIN "
- " YOU CAN'T WIN CHILD " - " NO YOU CAN'T WIN "
- " YOU CAN'T WIN CHILD " - " NO YOU CAN'T WIN "
" YOU CAN'T WIN CHILD CAN'T BREAK EVEN "
" AND YOU CAN'T GET OUTTA THE GAME "
" YOU CAN'T GET OUTTA THE GAME "
" YOU CAN'T GET OUT "
OOH !
" OF THE GAME "
" NO, NO, NO ""
[ Laughing ]
- I'LL, I'LL HELP YOU DOWN. - WHAT ?
YOU WILL ?
[ Murmuring ]
WHAT'S SHE DOING HERE ?
- GET HER OUTTA HERE. - SHOO ! SHOO ! SHOO !
SHOO, SHOO, GO ON ABOUT YOUR BUSINESS.
SHOO !
OOH !
- JUST HOLD ON. - THIS IS JUST AN EXPERIMENT.
[ Grunting ]
[ Screaming ]
[ Laughing ]
THE RESULTS OF THE FIRST EXPERIMENT:
SUBJECT IS A HOPELESS FAILURE.
[ Laughing ]
YOU ARE NOT. I AM.
YOU'RE JUST A PRODUCT OF SOME NEGATIVE THINKING.
FIRST THING WE HAVE TO DO IS GET RID OF THESE CROWS.
COME ON, TOTO, SICK 'EM ! SHOO ! SHOO !
SHOO ! BEFORE I CALL THE TAXIDERMIST, YOU TURKEYS !
[ Barking ]
GET OFF ME, DOG !
GOOD BOY, TOTO.
[ Chuckling ]
[ Sighing ]
WE CAN GO NOW.
YOU OKAY ? COME ON ! HEY !
[ Sighing ]
OOH !
I THINK I'M GONNA MAKE IT THIS TIME.
YOU SURE ARE.
JUST A LITTLE SELF-CONFIDENCE...
AND COORDINATION.
YOU'RE GONNA BE FINE.
YOU MEAN, ALL THIS TIME THE ONLY THING STANDING BETWEEN...
HANGIN' UP THERE AND LIVIN' IT UP DOWN HERE...
WERE THOSE CROWS ?
WELL, THEY TOLD YOU YOU COULDN'T DO IT AND YOU BELIEVED THEM.
IF I ONLY HAD A BRAIN, I WOULD HAVE FIGURED THAT OUT A LONG TIME AGO.
THERE YOU GO WITH THAT NEGATIVE THINKIN' AGAIN.
EVERYBODY HAS A BRAIN. UH-UH.
NOT ME, LOOK.
OH.
GARBAGE ?
"IGNORANCE IS THE NIGHT OF THE MIND,
A NIGHT WITHOUT MOON OR STAR."
CONFUCIUS SAID THAT.
I'M ON MY WAY TO FIND THE WIZ.
HE'S GONNA GET ME BACK HOME.
THAT'S NICE. THANK YOU.
GOOD LUCK.
[ Crows Cawing ]
I THOUGHT MAYBE HE COULD GET YOU A BRAIN.
[ Gasping ]
YOU THINK THAT HE COULD -- AND TOTO AND ME,
WE COULD SURE USE SOME COMPANY.
BESIDES, YOU HAVE NOTHIN' TO LOSE.
I DON'T, DO I ?
THAT WAS SO SMART OF YOU !
I WISH I THOUGHT OF THAT.
INDICATIONS ARE IT WOULD BE VERY ADVANTAGEOUS FOR ME TO JOIN YOU.
[ Chuckling ]
GOOD.
UM, WE ONLY HAVE ONE PROBLEM.
THE MUNCHKINS SAID TO FOLLOW THE YELLOW BRICK ROAD, BUT I HAVEN'T BEEN ABLE TO FIND IT.
YELLOW BRICK ROAD ?
THERE IT IS !
HEY, WAIT !
WAIT !
[ Scarecrow ]
DID YOU SAY, "YELLOW BRICK ROAD" ?
YES !
LOOK OVER HERE !
WE DON'T NEED NO CABS.
- SAY, WHAT'S YOUR NAME ?
- MY NAME IS... DOROTHY.
DOROTHY AND TOTO ?
WHAT INTELLIGENT NAMES !
OKAY, DOROTHY AND TOTO, WE'RE GONNA HAVE TO FIND OUR OWN YELLOW BRICK ROAD.
" EASE ON DOWN EASE ON DOW-- "
DOWN THE ROAD !
THERE IT IS !
" EASE ON DOWN "
OH !
" EASE ON... DOWN "
DOWN THE ROAD !
OH !
" DON'T YOU CARRY NOTHIN' "
" THAT MIGHT BE A LOAD "
THERE IT IS !
DOROTHY ! LOOK !
DOROTHY !
[ Gasping ]
AAAH !
TA-DA !
WHOO ! COME ON, DOROTHY !
COME ON !
WHOO !
[ Laughing ]
" COME ON AND EASE ON DOWN EASE ON DOWN THE ROAD "
" COME ON EASE ON DOWN EASE ON DOWN THE ROAD "
" DON'T YOU CARRY NOTHIN' THAT MIGHT BE A LOAD "
" COME ON EASE ON DOWN EASE ON DOWN THE ROAD "
" PICK YOUR LEFT FOOT UP PUT YOUR RIGHT ONE DOWN "
" COME ON LEGS KEEP MOVIN' "
" DON'T YOU LOSE NO GROUND "
" JUST YOU KEEP ON KEEPIN' ON THE ROAD YOU CHOOSE "
" DON'T YOU GIVE UP ON WALKIN' CAUSE YOU GAVE UP SHOES "
" EASE ON DOWN EASE ON DOWN THE ROAD "
" COME ON EASE ON DOWN EASE ON DOWN THE ROAD "
" DON'T YOU CARRY NOTHIN' THAT MIGHT BE A LOAD "
" COME ON EASE ON DOWN DOWN, DOWN "
WHOO !
WHOO !
" DON'T YOU CARRY NOTHIN' THAT MIGHT BE A LOAD "
" EASE ON DOWN, EASE ON DOWN DOWN THE ROAD "
" EASE ON DOWN, EASE ON DOWN DOWN THE ROAD "
" EASE ON DOWN, EASE ON DOWN DOWN THE ROAD "
" EASE ON DOWN THE ROAD "
[ Indistinct ]
" EASE ON DOWN EASE ON DOWN THE ROAD "
" EASE ON DOWN EASE ON DOWN THE ROAD "
[ Indistinct ]
" EASE ON DOWN EASE ON DOWN "
[ Laughing ]
TOTO !
" EASE ON DOWN EASE, EASE ON DOWN "
" DOWN THE ROAD "
[ Man ]
HELP !
[ Gasping ]
[ Man ]
HELP !
HELP ?
HELP ? WHERE ?
[ Man ]
HELP ! HELP !
[ Man ]
OVER HERE !
[ Chuckling ]
[ Man ]
HELP !
[ Chuckling ]
[ Man ]
HURRY ! HURRY !
WHERE ARE YOU ?
HURRY, HURRY, HURRY !
STEP RIGHT UP AND SAVE A LIFE !
OOH ! OOH !
[ Gasping ]
I'M IN A LITTLE BIT OF A SQUEEZE, BROTHER.
CAN YOU GIVE ME A HAND ?
[ Gasping ]
DOROTHY ?
[ Grunting ]
OH, HOW TERRIBLE.
DON'T MOVE.
DON'T WORRY, I WASN'T PLANNING ANY PROMENADES.
WE'LL BE RIGHT BACK.
OH, HE'S SO BRAVE.
HE'S PROBABLY IN SHOCK.
OH, WHAT I WOULDN'T GIVE TO BE IN SHOCK...
JUST ONCE.
[ Grunting ]
I'M SO -- I'M SO SORRY.
NO APOLOGY NECESSARY.
I TOLD YOU NOTHING HURTS ME.
I HAVE NO FEELINGS.
THE GENIUS WHO CREATED ME ONLY TOOK CARE OF MY DASHING GOOD LOOKS, MY RAZOR SHARP WIT AND MY IRRESISTIBLE ATTRACTION TO THE WRONG WOMEN.
[ Grunting ]
WHAT HE FORGOT TO ADD... WAS A HEART.
BUT... EVERYONE HAS A HEART.
ALAS, EVERYONE BUT YOURS TRULY.
[ Echoing ]
HELLO !
NOBODY HOME IN SOULVILLE.
[ Creaking ]
RID OF YOU ! FREE FROM YOUR POSTERIOR PRISON !
YOU HULKING SHE DEVIL !
[ Chuckling ]
DON'T HEAR YA LAUGHING NOW.
WE WERE ABANDONED HERE WHEN THIS PARK WENT "EL FOLDO."
AH, IT WAS A SAD DAY.
THERE'S NOT MUCH AMUSEMENT TO THE CLOSING DOWN OF AN AMUSEMENT PARK.
BUT YOURS TRULY IS AN OLD TROOPER !
I QUICKLY MADE PLANS FOR THE FUTURE.
BUT ALAS, I WAS FELLED BY MY 4th WIFE, TEENIE.
CRUSHED IN MY PRIME !
[ Creaking ]
THERE, HOW DOES THAT FEEL ?
BUT THAT'S THE WHOLE TRAGIC POINT, MY FRIENDS.
" WHAT WOULD I DO "
" IF I COULD SUDDENLY FEEL "
" AND TO KNOW ONCE AGAIN "
" THAT WHAT I FEEL IS REAL "
" I COULD CRY I COULD SMILE "
" I MIGHT LAY BACK FOR A WHILE "
" TELL ME WHAT "
" WHAT "
" WHAT WOULD I DO "
" IF I COULD FEEL "
" WHAT WOULD I DO "
" IF I COULD REACH INSIDE OF ME "
" AND TO KNOW HOW IT FEELS TO SAY "
" I LIKE WHAT I SEE "
[ Humming ]
" AND I'D BE MORE "
" THAN GLAD TO SHARE "
" ALL THAT I HAVE INSIDE OF HERE "
" AND THE SONGS MY HEART MIGHT BRING "
" YOU'D BE MORE THAN GLAD TO SING "
" AND IF TEARS SHOULD FALL FROM MY EYES "
" JUST THINK OF ALL THE WOUNDS THEY COULD MEND "
" AND JUST THINK OF ALL THE TIME I COULD SPEND "
" JUST BEING VULNERABLE AGAIN "
" TELL ME WHAT "
" WHAT "
" WHAT WOULD I DO "
" OH TELL ME WHAT "
" WHAT, WHAT WOULD I DO "
" OH TELL ME WHAT "
" WHAT "
[ Together ]
" WHAT WOULD I DO "
" IF I COULD FEEL "
I'M JUST A MISERABLE HUNK OF JUNK.
ME !
ONCE THE FASTEST METAL MOUTH ON THE MIDWAY.
FROZEN... IRONICALLY IN A POSITION I HAD ASSUMED ALL TOO OFTEN.
A SEAT CUSHION FOR TEENIE !
TEENIE ! TEENIE ! TEENIE !
DOROTHY !
TEENIE ! TEENIE !
ARE YOU THINKIN' WHAT I AM ?
TEENIE !
YOU'RE SO SMART !
TEENIE ! TEEN--YOU COULD COME WITH US TO SEE THE WIZ.
HE'S GONNA GET ME BACK HOME... AND HE'S GONNA GET THE SCARECROW SOME BRAINS.
MAYBE HE COULD GET YOU A HEART.
YOU'RE NOT JUST FLIMFLAMMIN' AN OL' FLIMFLAMMER, ARE YA ?
[ Chuckling ]
COULD I COME WITH YA ?
OF COURSE.
"A THREEFOLD CORD IS NOT QUICKLY BROKEN."
[ Grunting ]
WHAT'S WRONG ?
HE RUSTED HIMSELF CRYIN'.
[ Grunting ]
OIL ! OIL !
WHAT ?
[ Grunting ]
OIL !
[ Muffled ]
FIND SOME OIL !
SOME OIL !
OIL !
" SLIDE SOME OIL TO ME "
" LET IT TRICKLE DOWN MY SPINE "
" IF YOU DON'T HAVE STP "
" CRISCO WILL DO JUST FINE "
" SLIDE SOME TO MY ELBOW "
" AND TO MY FINGERS IF YOU WOULD "
" SLIDE SOME OIL TO ME GIRL "
" WHOO DON'T THAT FEEL GOOD "
" SLIDE SOME OIL TO MY FEET "
" LOOK AT THERE I GOT TOES AGAIN "
" COME ON SLIDE SOME OIL TO MY KNEES "
" AND LET ME SEE IF I CAN BEND "
" SLIDE SOME OIL TO ME "
" I'M BEGINNIN' TO FEEL JUST FINE "
" SLIDE SOME OIL DOWN MY THROAT "
" AND LET ME LUBRICATE MY MIND "
" SLIDE SOME OIL TO ME "
" GO AHEAD HIT MY SHOULDER BLADES "
" THOSE WHO DON'T HAVE TO LUBRICATE "
" SURE GOT IT MADE "
" SLIDE SOME OIL TO ME "
" LET IT SLIP DOWN MY SIDE "
" LAYING THERE IN ONE POSITION "
" SURE DONE MADE ME TIRED "
NOW WATCH ME DANCE.
COME ON YOU METAL METATARSALS, DON'T FAIL ME NOW.
AH-HA ! FALL IN LINE AND GET LEFT BEHIND.
[ Humming ]
TWO BITS !
LET ME SHOW YOU MY SATURDAY NIGHT FINISH !
OH ! MUSIC MAN !
LET ME HEAR THAT BAND !
" DON'T TURN THE WATER ON ME "
" JUST LET ME BURN AND LET ME LUBRICATE "
" MY MIND "
[ Laughing ]
[ Dorothy ]
COME ON !
[ Scarecrow ]
" THERE MAY BE TIMES YOU THINK YOU'VE LOST YOUR MIND "
" THESE STEPS YOU'RE TAKIN' LEAVE YOU STEPS BEHIND "
" THE ROAD YOU'RE WALKIN' MIGHT BE LONG SOMETIMES "
[ Together ]
" BUT YOU KEEP ON STEPPIN' AND YOU'LL BE JUST FINE "
" EASE ON DOWN EASE ON DOWN THE ROAD "
" COME ON AND EASE ON DOWN EASE ON DOWN THE ROAD "
" DON'T YOU CARRY NOTHIN' THAT MIGHT BE A LOAD "
" COME ON EASE ON DOWN DOWN THE ROAD "
" COME ON EASE ON DOWN DOWN THE ROAD "
" EASE ON DOWN EASE ON DOWN THE ROAD "
" EASE ON DOWN EASE ON DOWN "
[ Scarecrow ]
HEY ! LOOK AT ME WALKIN' !
[ Dorothy Laughing ]
STOP THE MUSIC !
WHAT'S THE MATTER ?
YOU NEED MORE OIL ?
NO !
THAT BEAST !
HE'S CHECKIN' US OUT.
OH, IT'S JUST A STATUTE.
MADE OF STONE, SEE ?
NOW EVEN A DUMMY LIKE ME KNOWS A STONE LION...
CAN'T... CHECK YOU OUT.
[ Muffled Roar ]
" SAY WHAT YOU WANNA BUT I'M HERE TO STAY "
" 'CAUSE I'M A MEAN OL' LION "
" NOW YOU CAN GO WHERE YOU'RE GONNA "
" BUT DON'T GET IN MY WAY I'M A MEAN OL' LION "
" YOU'LL BE STANDING IN A DRAFT "
" IF YOU DON'T HEAR ME LAUGH "
HA-HA !
" IF YOU HAVE TO COME AROUND "
" YOU BEST NOT MAKE ME FROWN "
" OR I JUST MIGHT KNOCK YOU DOWN "
" 'CAUSE I'M A MEAN OL' LION "
[ Snarling ]
" YOU KNOW I'M READY TO FIGHT AND TURN YOUR DAY INTO NIGHT "
" 'CAUSE I'M A MEAN OL' LION "
" IF YOU'RE HALF BRIGHT YOU'LL DETOUR TO THE RIGHT "
" FROM A MEAN OL' LION "
" AND ALL YOU STRANGERS GOT TO BEWARE "
" THIS IS THE KING OF THE JUNGLE HERE "
" AND IF I HAPPEN TO LET YOU SLIDE "
" DON'T STAND THERE RUN AND HIDE "
" YOU JUST, YOU JUST CAUGHT MY BETTER SIDE "
[ Snarling ]
" NOW I'M A MEAN OL' LION "
[ Snarling ]
" LOOK, YOU BETTER BEWARE "
" THIS IS THE, THE KING OF THE JUNGLE HERE "
" AND IF I HAPPEN TO LET YOU SLIDE "
" DON'T STAND THERE RUN AND HIDE "
" YOU JUST DONE CAUGHT MY BETTER SIDE "
" NOW I'M A MEAN OL' LION "
TOTO !
" NOW I'M A MEAN OL' LION "
[ Laughing, Clearing Throat ]
HOW DARE YOU TOUCH... THE PERSONAGE OF A KING ?
YOU TACKY PACKAGE OF HORSE FODDER.
BEGONE YOU OVEREXCITED SLOT MACHINE.
HA-HA-HA-HA !
[ Snarling ]
[ Growling ]
[ Growling ]
OH ! YOU MANGY MUTT !
OH !
[ Barking ]
TOTO !
OH !
[ Groaning ]
HE BIT MY PAW !
[ Sobbing ]
KING OF THE JUNGLE ?
[ Sobbing ]
KING OF THE COWARDS.
YOU OUGHTA BE ASHAMED.
YOU BIG SCARDY-CAT !
I CAN'T SCARE ANYTHING.
I CAN'T EVEN SCARE A SCARECROW, A TINMAN OR A LITTLE PUPPY, ANYTHING.
IT'S NO WONDER THEY DRUMMED ME OUT OF THE JUNGLE.
I.O.B.K. !
I.O.B.K. ?
INCAPABLE OF BEING KING !
[ Sighing ]
NO ! WAIT, WAIT ! WAIT !
I WAS EXILED IN DISGRACE.
I THOUGHT I'D BE SAFE HERE.
NO ONE WOULD... DISCOVER MY TERRIBLE SECRET.
UH, THAT I'M...
A LION WITHOUT ANY COURAGE !
[ Sobbing ]
[ Sobbing ]
"UNEASY LIES THE HEAD... THAT WEARS A CROWN," W. SHAKESPEARE.
[ Sobbing ]
WELL, I THOUGHT I'D SEEN 'EM ALL.
BUT NEVER, NEVER HAVE I SEEN...
A LION... WITHOUT COURAGE.
[ Gulping, Sobbing ]
[ Sobbing ]
LION !
LION !
[ Murmuring ]
MAYBE THE WIZ COULD GIVE YOU SOME COURAGE.
IT'S A GOOD IDEA. CAPITAL SUGGESTION.
CAPITAL ! HE'S GONNA GET ME A HEART. AND ME SOME BRAINS.
COME WITH US TO EMERALD CITY.
[ Gasping ]
I'D LOVE TO, BUT I CAN'T.
BUT Why ?
BECAUSE... I'M SCARED !
OH.
" OH THERE "
" MAY BE TIMES "
" WHEN YOU WISH YOU WASN'T BORN "
" AND YOU WAKE ONE MORNING TO FIND YOUR COURAGE GONE "
" BUT JUST KNOW THAT FEELIN' ONLY LASTS A LITTLE WHILE "
" YOU JUST STICK WITH US WE'LL SHOW YOU HOW TO SMILE "
" EASE ON DOWN EASE ON DOWN THE ROAD "
" COME ON EASE ON DOWN EASE ON DOWN THE ROAD "
" DON'T YOU CARRY NOTHIN' THAT MIGHT BE A LOAD "
" COME ON EASE ON DOWN EASE ON DOWN, DOWN THE ROAD "
" EASE ON DOWN EASE ON DOWN THE ROAD "
" EASE ON DOWN EASE ON DOWN THE ROAD "
" COME ON EASE ON DOWN EASE ON DOWN THE ROAD "
" COME ON EASE ON DOWN EASE ON DOWN THE ROAD "
" COME ON EASE ON DOWN EASE ON DOWN THE ROAD "
" EASE ON DOWN EASE ON DOWN THE ROAD "
" I GOTTA GET DOWN GOTTA GET, GOTTA, GOTTA "
" GOTTA, GOTTA, GOTTA GETTA, GETTA, GETTA "
" EASE ON DOWN THE ROAD EASE ON DOWN THE ROAD ""
"" [ Scatting ]
AH, MY MA WOULD BE SO PROUD.
GOING TO SEE THE WIZ !
[ Chuckling ]
[ Laughing ]
MY MAMA USED TO ALWAYS SAY TO ME, FLEET !
[ Together ] FLEET ?
THAT'S MY NAME, FLEETWOOD COUP DE VILLE.
[ Snickering ]
MAMA HAD HIGH IDEALS. YEAH !
YOU KNOW WHAT I MEAN ? YEAH !
I AIN'T TOO HAPPY UNDERGROUND, YOU ALL.
HOW DOES HE DO THAT ? IT'S JUST A HOAX, MY FRIEND.
HE'S GOT A LITTLE MOTOR IN HIS... POCKET.
[ Grunting ]
[ Gasping, Screaming ]
[ Screaming ]
[ Gasping, Screaming ]
[ Whimpering ]
LION ! LION ! HELP !
OH MY -- PLEASE, SOMEBODY ! SHH !
[ Screaming ]
[ Screaming ]
[ Whimpering ]
[ Dorothy Screaming ] LION ! LION !
[ Indistinct Shouting ]
[ Rumbling ]
OWWW ! LION !
[ Snarling ]
LI--
LION !
AAAH !
[ Yelling ]
- [ Roaring ]
- [ Screaming ]
[ Indistinct Noise ]
[ Indistinct Noise
Continues ]
LION, SAVE ME !
[ Screaming ]
[ Screaming ]
[ Dorothy Screaming ]
[ Grunting ]
[ Growling, Roaring ]
TOTO ! TOTO, TOTO, TOTO.
HEY !
[ Indistinct ]
OH ! WAIT !
WHERE'S THE LION ? I'M COMING !
WAIT, WAIT !
[ Indistinct ]
COME ON ! LET'S GO !
HURRY UP ! THIS WAY, THIS WAY ! WAIT FOR ME !
HEY !
SSSSS !
[ Indistinct Chatter ]
" EASE ON DOWN EASE ON DOWN THE ROAD "
HOLD IT, HOLD IT, HOLD IT.
MY QUEEN, IF YOU'LL ALLOW ME, LIKE I SAY,
YOU STICK WITH THE BIG KITTY AND YOU'LL BE IN HEAVEN.
SSSSS !
OUTTA THE FRYING PAN, INTO THE -- THIS IS LIKE A SETUP.
[ Scarecrow ]
STAY AWAY ! DOROTHY ! LION !
DON'T FOLLOW THEM ! DON'T !
[ Tinman ]
OH, PLEASE ! IT'S A SETUP !
STOP ! COME BACK !
JUMP ! DON'T GO IN THERE !
[ Voice ] WHOO, WHOO !
OH ! DOROTHY ! LION !
I CAN'T MOVE HIM ! I CAN'T MOVE HIM ! DOROTHY ?
GET TOTO, WE'LL COME BACK FOR HIM. TOTO !
OH, LOOK, POOR LITTLE TOTO !
SWEET LITTLE TOTO. WHAT ARE WE GOING TO DO ?
- ALL IS LOST ! - DOROTHY !
DOROTHY, PLEASE.
OH, PLEASE, DON'T BE DEAD. OH, PLEASE, DON'T BE DEAD.
OH, ALL IS LOST.
[ Sobbing ]
[ Sobbing ]
[ Sputtering ]
" HOW HIGH THE MOON "
[ Scatting ]
WHAT'S HAPPENIN', BABE ?
[ Lion Laughing ]
HEY, LION'S OKAY !
[ Lion ]
HEY, BABY !COME AND CRY OVER HERE !
- TEENIE ! THINK OF TEENIE ! - DOR-- DOROTHY ?
- THINK OF TEENIE ! - UH, TEENIE, UH, TEENIE !
- UH, TEENIE ! - IT'S ALL MY FAULT !
UH, TEENIE ! UH, TEENIE !
OH, MIGHTY ZEUS !
AND GODS OF THE UNIVERSE !
Why HAVE YOU CURSED THIS LOW, MANGY ANIMAL SO ?
ONCE I WAS A KING, A LION AMONGST LIONS !
RULER OF A BEAUTIFUL KINGDOM BY A WATERFALL.
ATTENDED BY BUTTERFLIES AND SPARROWS.
AND NOW BANISHED FOR LACK OF COURAGE,
[ Gasping ]
I CANNOT EVEN PROTECT THESE FRIENDS WHO HAVE BEEN SO KIND.
OH, I WAS STRONG AND BRAVE...
IN THE SUBWAY ONLY TO BE FOOLISH AND WEAK AGAIN.
I LED US INTO THE VERY JAWS OF DEATH !
[ Screaming ]
OH, LET ME END IT ALL !
LION, LION ! NO !
NO, LET ME SPLATTER TO THE FOUR WINDS !
IT'S ALL RIGHT, LION. IT'S ALL RIGHT.
EVERYTHING'S ALL RIGHT.
THE WORST IS OVER, MY FURRY FRIEND. NO !
WOULD YOU LAY AN APPROPRIATE QUOTE ON THIS POOR BEAST ?
"SHOWERS EXPECTED LATE TOMORROW."
[ Sobbing ]
[ Sobbing ]
LION ?
"" [ Humming ]
" THERE IS A PLACE "
" WE'LL GO "
" WHERE THERE IS MOSTLY QUIET "
" FLOWERS AND BUTTERFLIES "
" A RAINBOW LIVES BESIDE IT "
" AND FROM A VELVET SKY "
" THE SUMMER STORM "
" YOU CAN FEEL "
" THE COOLNESS IN THE AIR "
" BUT YOU'RE STILL "
" WARM "
" AND THEN A MIGHTY ROAR "
" WILL START THE SKY "
" TO CRYIN' "
" BUT NOT EVEN LIGHTNING "
" WILL BE FRIGHTENING "
" MY LION "
" AND WITH NO FEAR INSIDE "
" NO NEED TO RUN "
" NO NEED TO HIDE "
" YOU'RE STANDING STRONG "
" AND TALL "
" YOU'RE THE BRAVEST "
" OF THEM ALL "
" IF ON COURAGE "
" YOU MUST CALL "
" THEN JUST KEEP ON TRYIN' "
" AND TRYIN' "
" AND TRYIN' "
" YOU'RE A LION "
" IN YOUR OWN WAY "
" BE A LION "
COME ON, BE A LION.
" I'M STANDING STRONG "
" AND TALL "
" YOU'RE THE BRAVEST "
" OF THEM ALL "
" IF ON COURAGE "
" YOU MUST CALL "
" KEEP ON TRYIN' "
" AND TRYIN' "
" AND TRYIN' "
" I'M A LION "
" IN MY OWN WAY "
" I'M A LION "
- " A LION " - " A LION "
" I'M A LION ""
[ Laughing ]
HOW DO WE GET IN ? AND HOW DO YOU DO ?
GOOD EVENING THERE, BROTHER. THIS PLACE IS NICE.
THE SERVICE ENTRANCE IS AT THE SIDE.
[ Dorothy ]
WE'RE HERE TO SEE THE WIZ.
THIS IS WHERE THE WIZ LIVES, ISN'T IT ?
[ Beeping ]
MAY I WELCOME YOU TO THE EMERALD CITY.
" AHH, AHH, AH "
" AHH, AHH, AH "
" I WANT TO BE SEEN GREEN "
" WOULDN'T BE CAUGHT DEAD RED "
" 'CAUSE IF YOU ARE SEEN GREEN "
" IT MEANS YOU'VE GOT MEAN BREAD "
" AHH, AHH, AH "
" AHH, AHH, AH "
" YOU'VE GOT TO BE SEEN IN GREEN TO SHOW THAT YOUR STUFF'S LAID "
" IF YOU'RE NOT SEEN GREEN "
[ Group ]
" YOU'D BETTER BE WEARIN' JADE "
" AHH, AHH, AH "
" YOU'VE GOT TO BE SEEN GREEN "
" DON'T TELL HIM YOUR CUPBOARD'S BARE "
" THAT YOU GAVE UP ONE WEEK'S FEED "
" TO PAY FOR YOUR COLORED HAIR "
" AHH, AHH, AH "
" AHH, AHH, AH "
" AHH, AHH, AH "
"" [ Trumpet ]
""
[ Man ]
AN ANNOUNCEMENT FROM THE GREAT AND POWERFUL OZ.
[ Echoing ]
OZ.
[ Oz ]
I THOUGHT IT OVER AND GREEN IS DEAD.
'TIL I CHANGE MY MIND, THE COLOR'S RED.
" I WOULDN'T BE SEEN GREEN "
" OOO, OOO, OOO AH, AH "
" I WOULDN'T BE CAUGHT DEAD "
" AND IF I'M CAUGHT AT ALL "
" THEN CATCH ME IN DEAD RED "
" OOO "
" YOU'VE GOT TO BE DEAD RED "
" YOU'VE GOT TO BE REAL HOT "
" SO THROW AWAY THOSE GREEN GEMS "
" AND WEAR RUBIES ON YOUR YACHT "
" YOU'VE GOT TO BE DEAD RED "
" YOU'VE GOT TO HAVE FLASH AND FLAIR "
" AND IF YOU'RE NOT SEEN RED "
" THEN YOU SHOULDN'T BE SEEN "
" NOWHERE "
[ Shouting ]
"" [ Trumpet ]
""
[ Man ]
HOW QUICK FASHION GOES DOWN THE DRAIN.
LAST WEEK WHEN YOU ALL WAS WEARIN' PINK,
ALREADY FOR ME, RED WAS OLD.
THE ULTIMATE YELLOW BRICK IS GOLD. THAT'S THE NEW COLOR, CHILDREN, HIT IT.
" GOLDEN GOLD "
" GOLDEN GOLD "
" GOLDEN GOLD "
" GOLDEN GOLD "
" YOU'VE GOT TO BE SEEN GOLD "
" WATCH OUT FOR THE NEW KIND YOU'VE GOT TO HAVE OLD GOLD "
" LIKE SOME FROM A GOLD MINE YOU'VE GOT TO BE WEARIN' GOLD "
" THE 24 KARAT KIND AND ONCE YOU'VE SHINED IT UP "
" IT SHOULD OUGHT TO MAKE YOU BLIND "
" YOU'VE GOT TO BE SEEN IN GOLD TO SHOW YOU'RE SUPER SLICK "
" IT HELPS TO PAY TIPS AND TOLLS IT'S THE ULTIMATE YELLOW BRICK "
" IT'S THE ULTIMATE "
" GOLD "
" GOLD "
" GOLD, GOLD "
" GOLD, GOLD "
" GOLD, GOLD "
" GOLD, GOLD "
" GOLD, GOLD "
" GOLD, GOLD "
" GOLD, GOLD GOLD, GOLD, GOLD ""
"" [ Trumpet ]
""
[ Man ]
AN ANNOUNCEMENT FROM THE GREAT AND POWERFUL OZ.
[ Oz ]
SEND UP THE ONE WITH THE SILVER SLIPPERS.
[ Indistinct Chatter ]
[ Man ]
DO YOU KNOW HOW LUCKY YOU ARE ?
[ Woman ]
I'VE BEEN TRYING TO GET AN APPOINTMENT FOR TWO YEARS !
[ Woman #2 ]
NO ONE SEES THE WIZ !
I KNEW YOU'D MAKE IT. WHO DOES YOUR HAIR ?
[ Man #2 ]
CAN YOU COME FOR DINNER NEXT WEDNESDAY ?
CAN I GIVE YOU MY CARD ? CAN I TAKE YOU HOME ?
[ Applause ]
AND --
[ Crowd Laughing ]
[ Indistinct Chatter ]
[ Laughing ]
ONLY THE ONE WITH THE SILVER SLIPPERS !
YOU GO AHEAD, DOROTHY. "HE WHO HESITATES --"
ETCETERA, ETCETERA.
UH, I'D LIKE TO SPEAK TO THE WIZ.
[ Crowd Murmuring ]
HEY, MIKE !
[ Whistle ]
EXCUSE ME --
[ Electronic Squeal ]
[ Echoing ]
EXCUSE ME, SIR, MR. WIZ ?
SPEAK !
I'M NOT ALONE, SIR.
I'M HERE WITH MY THREE
COMPANIONS AND MY DOG, TOTO.
FORGET IT.
NO RIFFRAFF.
UH, THEY'RE NOT RIFFRAFF, SIR.
THEY'RE MY FRIENDS AND THEY'VE TRAVELED FAR TO SEE YOU.
I SAID, FORGET IT !
THEN, THEN, I'M NOT COMIN' UP THERE.
[ Crashing ]
[ Crowd Screaming ]
WHAT ?
EITHER YOU SEE MY FRIENDS, SIR, OR YOU FORGET IT.
SEND UP THE RIFFRAFF.
[ Indistinct Chatter ]
[ Laughing ]
WHAT'S HAPPENING ?
STEP FORWARD.
SURE WISH I WAS BACK AT THE LIBRARY.
SO ! YOU WANTED TO MEET THE WIZARD !
WHAT DO YOU SNIVELLING DEADBEATS WANT ?
THAT'S CLOSE ENOUGH !
MY NAME IS DOROTHY AND -- AND I'M, I'M TRYIN' TO GET HOME.
AND THESE, THESE ARE MY FRIENDS.
THIS IS THE SCARECROW.
HE, HE WANTS -- TELL HIM.
A BRAIN, YOUR MAJESTY.
SOME OF YOUR GREAT "WIZ...DOM."
UH, AND THIS IS THE TINMAN.
I BEEN A TWO-BIT, CARNIE HUSTLER ALL MY LIFE.
AND I WANT A HEART, OH, MIGHTY AND POWERFUL WIZ.
A HEART... SO I CAN LOVE... ALL HUMANITY.
AND WHAT DO YOU WANT, YOU OVERSTUFFED ANIMAL CRACKER ?
I WANNA GET THE HELL OUTTA HERE !
[ Muttering ]
HE WANTS SOME COURAGE, SIR.
SO HE CAN GO BACK TO HIS OLD JOB... OF BEING KING OF THE JUNGLE.
IS THIS SO, LION ?
ANYTHING SHE SAYS.
CAN YOU HELP US, SIR ?
WHAT'S IN IT FOR ME ?
WE'D BE VERY GRATEFUL.
[ Laughing ]
HOW ABOUT YOUR PRETTY SILVER SLIPPERS ?
NO ! NO !
YOU DARE SAY NO... TO THE GREAT WIZARD OF OZ ?
I, I CAN'T TAKE THESE OFF 'TIL I GET BACK HOME, BUT I'LL SEND 'EM TO YOU.
THE GREAT OZ HAS DECIDED... NOT TO GRANT ANY OF YOUR WISHES !
UNLESS, UNLESS, YOU, DOROTHY, KILL EVILLENE, THE WICKED WITCH OF THE WEST !
THE GREAT OZ HAS SPOKEN !
OH, MR. WIZ, PLEASE !
[ Knocking ]
COME IN.
I'M SORRY I DRAGGED YOU ALL HERE.
AND LOOK HOW IT TURNED OUT.
HAVE YOU MADE YOUR DECISION YET, DOROTHY ?
I DON'T THINK THERE'S ANY CHOICE.
DOROTHY, YOU DON'T HAVE TO DO IT !
WE COULD STAY RIGHT HERE !
EMERALD CITY'S NOT BAD.
[ Lion ]
GET A SMALL APARTMENT, CHIP IN TOGETHER.
HEY, I BET IN NO TIME WE'D FIT RIGHT IN.
BUT I COULD NEVER BE HAPPY HERE.
BESIDES, I'D... NEVER GET HOME.
I HAVE TO GO ALL THE WAY, EVEN IF IT MEANS TO EVILLENE.
COME ON, TOTO, GOOD BOY.
THEN I'M GOING WITH YOU.
LIKEWISE !
ME TOO.
COME ON.
[ Laughing ]
WHICH ROAD DO WE TAKE ?
ROAD ? THIS ONE... AND YOU MAY BE SORRY.
THEN HOW DO WE FIND EVILLENE ?
DON'T WORRY.
SHE'LL FIND YOU.
OWWW !
" NOW WHEN I WAKE UP IN THE AFTERNOON "
" WHICH IT PLEASES ME TO DO DON'T NOBODY BRING ME NO BAD NEWS "
" 'CAUSE I WAKE UP ALREADY NEGATIVE "
" AND I'VE FIRED UP MY FUSE SO DON'T NOBODY BRING ME NO BAD NEWS "
" IF WE'RE GONNA BE BUDDIES YOU BETTER BONE UP ON THE RULES "
" 'CAUSE DON'T NOBODY BRING ME NO BAD NEWS "
" YOU CAN BE MY BEST OF FRIENDS AS OPPOSED TO PAYIN' DUES "
" BUT DON'T NOBODY BRING ME NO BAD NEWS "
" WELL NO BAD NEWS "
" NO BAD NEWS "
" NO BAD NEWS "
" NO BAD NEWS "
" NOW DON'T YOU EVER BRING ME NO BAD NEWS "
" NO BAD NEWS "
" 'CAUSE I'LL MAKE YOU AN OFFER CHILD THAT YOU CANNOT REFUSE "
" SO DON'T NOBODY BRING ME NO BAD NEWS "
" NOW WHEN YOU'RE TALKIN' TO ME "
" DON'T BE CRYIN' BLUES "
" 'CAUSE DON'T NOBODY BRING ME NO BAD NEWS "
" NO BAD NEWS "
" YOU CAN VERBALIZE AND VOCALIZE "
" BUT JUST BRING ME THE CLUES DON'T NOBODY BRING ME "
" NO BAD NEWS "
" NO BAD NEWS "
" BRING THE MESSAGE IN YOUR HEAD OR IN SOMETHIN' YOU CAN'T LOSE "
" BUT DON'T YOU EVER EVER BRING ME NO BAD NEWS "
" NO BAD NEWS "
" IF YOU GOTTA BRING ME SOMETHIN' MAKE IT SOMETHIN' I CAN USE "
" BUT DON'T YOU BRING ME NO BAD NEWS "
" NO BAD NEWS " " NO BAD NEWS "
" NO BAD NEWS " " NO BAD NEWS "
" NO BAD NEWS " " NOW DON'T YOU BRING ME NO BAD NEWS "
" NO BAD NEWS "
" 'CAUSE I'LL MAKE YOU AN OFFER CHILD THAT YOU CANNOT REFUSE "
" SO DON'T YOU BRING ME NO BAD NEWS "
RIGHT !
[ Evillene Scatting ]
" DON'T NOBODY BRING ME NO BAD NEWS "
" IF YOU'RE GONNA BRING ME SOMETHIN' BRING ME SOMETHIN' I CAN USE "
" BUT DON'T YOU EVER BRING ME NO BAD NEWS "
" NO BAD NEWS "
" 'CAUSE I'LL MAKE YOU AN OFFER
CHILD THAT YOU CANNOT REFUSE "
" SO DON'T NOBODY BRING ME NO BAD NEWS "
" DON'T NOBODY BRING ME NO BAD NEWS "
" I SAY DON'T YOU BRING ME DON'T YOU BRING ME "
" AH DON'T DON'T YOU BRING ME "
" DON'T, DON'T BRING ME "
" I SAY DON'T "
" DON'T YOU EVER BRING ME "
" DON'T YOU EVER BRING ME BRING ME, BRING ME "
" NO BAD NEWS "
[ Shouting ]
WORK ! WORK ! WORK ! WORK !
WORK, WORK, WORK, WORK !
WORK ! AND... ALL LUNCH HOURS ARE CANCELLED !
OH, PLEASE, OH BEAUTIFUL ONE !
WE HAVEN'T HAD A LUNCH HOUR IN SIX MONTHS !
WELL, SUFFERING IS FOOD FOR THE SOUL.
NOW SUFFER !
[ Evillene Laughing ]
SO, NO ONE STOPPED DOROTHY, EH ?
ALL RIGHT !
AMATEUR NIGHT IS OVER !
I'M SUMMONING MY FLYING MONKEYS !
[ Together ]
NO, NO, NOT THE FLYING MONKEYS !
YES, YES, THE FLYING MONKEYS !
I HATE TO HAVE TO DO THIS MYSELF, BECAUSE I CAN'T STAND THE SMELLS, BUT THESE ARE RED ALERT CONDITIONS !
[ Gasping ]
HOT... FIRE.
[ Bell Ringing ]
PEEE-UU ! AAAH !
- WHAT'S HAPPENIN' ?
- DON'T COME ANY CLOSER !
I GOT A LITTLE JOB FOR YOU, CHEETAH.
BRING ME DOROTHY, THE SCARECROW, THE TINMAN, THE LION AND THE DOG TOO.
HOW DO YOU WANT 'EM ?
WHITE BREAD OR RYE ?
[ Laughing ]
[ Laughing, Burping ]
YOU GET SMART WITH ME AND I'LL SEND YOU BACK TO YOUR CAGES !
NOW GET DOROTHY AND DON'T DAMAGE THOSE SILVER SLIPPERS !
[ Shouting ]
PEEE-UU !
WAR IS HELL !
HIT IT, MORRIS !
" DON'T NOBODY BRING ME DON'T NOBODY BRING ME "
" DON'T NOBODY BRING ME NO BAD NEWS ""
[ Murmuring ]
" EASE ON DOWN "
I AIN'T SCARED.
[ Screaming ]
AAAH !
HEY, BROTHER !
NOT NOW !
[ Barking ]
LION ! WAIT FOR ME !
GET BACK, I TOLD YOU !
PSST ! PSST ! PSST !
PSST !
PSST, PSST, PSST !
WE'RE OVER HERE !
PSST ! LION !
PSST !
HEY, BROTHER !
YOU BETTER GET
OUTTA THE WAY FOR ME !
[ Whimpering ]
TOTO ! WHERE'S TOTO ?
[ Whimpering ]
TOTO ! OH !
[ Barking ]
TOTO !
TOTO ! TOTO !
HEY, THERE HE IS.
TOTO.
I THINK WE'RE SAFE.
[ Indistinct ]
SO, YOU'RE DOROTHY, HUH ?
YOU MURDERED MY SISTER !
A SAINT SHE WAS.
AND STOLE HER SHOES !
GIVE THEM TO ME !
NO.
WHAT ?
NO !
ALL RIGHT, YOU !
[ Evillene Screaming ]
[ Evillene Gasping ]
DON'T WORRY, DOROTHY.
IT DOESN'T HURT.
IT'S JUST A LITTLE ROUGH ON MY FILING SYSTEM.
[ Screaming ]
[ Laughing ]
NEVER FEAR, MY LITTLE FLOWER.
I'M JUST A HOLLOW SHELL !
[ Sobbing ]
[ Screaming ]
[ Gasping ]
[ Dorothy Sobbing ]
ON'T GIVE UP THE SHOES !
WOULD YOU LIKE SAUERKRAUT OR MUSTARD, MY DEAR ?
ON YOUR HOT DOG !
[ Whimpering ]
[ Laughing ]
TOTO ! TOTO ! NO ! DON'T !
[ Laughing ]
NO, DON'T !
DON'T YOU DARE !
TOTO, TOTO !
WILL YOU GIVE ME THOSE SHOES ?
YES, YES, YES.
THAT'S WHAT I THOUGHT.
[ Sobbing ]
PSST ! PSST !
HURRY UP WITH THOSE SHOES !
NO ! DON'T TOUCH THAT ! NO !
[ Evillene Screaming ]
NO ! NO !
TOTO !
I'M ALLERGIC TO WATER !
IT MAKES ME MELT ! NO ! NO !
[ Evillene Screaming ]
[ Groaning, Gasping ]
[ Evillene Gurgling ]
PLEASE, PLEASE, HELP ME WITH MY FRIENDS !
OH NO ! HERE IT IS, I GOT 'EM !
OH, PUT HIM TOGETHER.
I DON'T CARE WHAT YOU DO.
JUST PUT HIM DOWN.
PUT HIM TOGETHER.
WHERE'S HIS ARM ?
HIS ARM, OH !
OKAY, OKAY, DO SOMETHING !
GET SOME TOOLS, GET SOMETHING !
A CROWBAR, A HAMMER !
DON'T HURT HIM !
[ Cheering ]
" EVERYBODY LOOK AROUND 'CAUSE THERE'S A REASON TO REJOICE YOU SEE "
" EVERYBODY COME OUT AND LET'S COMMENCE TO SINGING JOYFULLY "
" EVERYBODY LOOK UP AND FEEL THE HOPE WE'VE BEEN WAITING FOR "
" EVERYBODY BE GLAD BECAUSE OUR SILENT FEAR AND DREAD IS GONE "
" FREEDOM YOU SEE HAS GOT OUR HEARTS SINGING SO JOYFULLY "
" JUST LOOK AROUND YOU OWE IT TO YOURSELF TO CHECK IT OUT "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
OOOH ! HEY !
OOOH !
" EVERYBODY BE GLAD THE SUN IS SHININ' JUST FOR US "
" EVERYBODY WAKE UP INTO THE MORNIN' INTO HAPPINESS "
" HELLO WORLD IT'S LIKE A DIFFERENT WAY OF LIVIN' NOW "
" AND THANK YOU WORLD I ALWAYS KNEW THAT WE'D BE FREE SOMEHOW "
" IN HARMONY LET'S SHOW THE WORLD THAT WE'VE GOT LIBERTY "
" IT'S SUCH A CHANGE FOR US TO LIVE SO INDEPENDENTLY "
" FREEDOM YOU SEE HAS GOT OUR HEARTS SINGING SO JOYFULLY "
" JUST LOOK AROUND YOU OWE IT TO YOURSELF TO CHECK IT OUT "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" EVERYBODY BE GLAD BECAUSE THE SUN IS SHININ' JUST FOR US "
" EVERYBODY WAKE UP INTO THE MORNIN' INTO HAPPINESS "
" HELLO WORLD IT'S LIKE A DIFFERENT WAY OF LIVIN' NOW "
" THANK YOU WORLD I ALWAYS KNEW THAT WE'D BE FREE SOMEHOW "
" IN HARMONY LET'S SHOW THE WORLD THAT WE'VE GOT LIBERTY "
" IT'S SUCH A CHANGE FOR US TO LIVE SO INDEPENDENTLY "
" FREEDOM YOU SEE HAS GOT OUR HEARTS SINGING SO JOYFULLY "
" JUST LOOK AROUND YOU OWE IT TO YOURSELF TO CHECK IT OUT "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
YEAH !
[ Clap, Clap ]
ALL RIGHT !
HEY !
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" BRAND-NEW DAY BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" BRAND-NEW DAY BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY "
" CAN'T YOU FEEL A BRAND-NEW DAY ""
[ Cheering ]
HELLO ?
WHERE ARE WE ?
THIS MUST BE THE BACK DOOR.
I DON'T THINK THE KILLERS OF THE WICKED WITCH OF THE WEST... SHOULD BE USING THE BACK DOOR.
YOU KNOW WHAT I MEAN ?
CHEETAH SAYS IT'S A SHORTCUT.
GOOD-BYE, CHEETAH.
[ Kissing Sounds ]
GOOD-BYE, DOROTHY.
BYE.
[ Blowing ]
IT'S OPEN.
HELLO ?
HELLO IN THERE ?
WAIT !
WAIT A MINUTE.
DOES THIS LOOK FAMILIAR ?
[ Dorothy ]
GUESS WHO GOT HAD ?
[ Scarecrow ]
BARNUM SAID THERE'S A SUCKER BORN EVERY MINUTE.
[ Tin Man ]
I WAS THERE WHEN HE SAID IT, BUT I NEVER THOUGHT I'D BE ONE OF 'EM. PHONY !
YOU'RE NOTHING BUT A PHONY !
THE WIZARD'S OUT !
HE'S NOT HERE !
LIES !
NO MORE LIES.
YOU CHARLATAN !
I'VE SEEN MEN SHOT FOR LESS.
YOU'RE A TERRIBLE MAN !
I'M SORRY !
SORRY ?
I'M SORRY, I'M SORRY, I'M SORRY, I'M SORRY !
PHONY !
EVERYTHING THEY SAY ABOUT ME IS TRUE. I'M A PHONY !
I GOT NO RIGHT TO BE PRETENDING TO BE THE WIZ !
I'VE GOT NOTHIN'.
HOCUS-POCUS.
I'M JUST PLAIN OLD HERMAN SMITH FROM ATLANTIC CITY.
ATLANTIC CITY ?
ATLANTIC CITY ?
YOU MEAN, YOU'RE FROM NEW JERSEY ?
MM-HMM.
I'M JUST A SECOND-RATE POLITICIAN FROM DISTRICT SEVEN.
PUBLIC OFFICE IS THE LAST REFUGE OF THE INCOMPETENT. PENROSE !
INCOMPETENT ?
HA-HA-HA !
THAT'S ME.
I'M INCOMPETENT.
SO MUCH SO, I COULD NEVER GET ELECTED TO PUBLIC OFFICE.
NOT BECAUSE I DIDN'T TRY.
I TRIED EVERYTHING.
LOOK, LOOK !
I RAN FOR EVERYTHING.
ALDERMAN, COUNCILMAN, ASSEMBLY LEADER !
I BECAME A LAUGHINGSTOCK.
I COULDN'T EVEN GET ON THE TICKET !
FINALLY, IN DESPERATION, I RAN FOR DOGCATCHER !
[ Barking ]
I LIKE ANIMALS.
DON'T GET ME WRONG.
I WAS AT THE END OF MY ROPE.
I PLUNGED MYSELF INTO THE CAMPAIGN.
ONE DESPERATE GRANDSTAND PLAY.
YOU KNOW WHAT I DID ?
I RENTED A HOT-AIR BALLOON !
[ Tin Man ]
HOT AIR ! THAT'S A PERFECT VEHICLE FOR YOU.
NO, NO, NO !
IT WAS A BEAUTIFUL FOURTH OF JULY DAY !
I PLANNED TO FLY OVER THE BOARDWALK AND THE BEACH, AND THROW MY --
AAAH !
THROW MY LEAFLETS TO THE ASTONISHED CROWDS BELOW.
MY MOTTO WAS,
"VOTE FOR SMITH, YOUR BEST BET TO CATCH THAT PET."
BUT JUST WHEN I GOT UP IN THE BALLOON, A TERRIBLE STORM CAME UP... AND BLEW ME INTO THE CLOUDS.
I GOT LOST.
I LANDED HERE IN OZ.
THEY'D NEVER SEEN A HOT-AIR BALLOON LIKE MINE BEFORE.
AND I KNOW I SHOULD HAVE TOLD THEM THE TRUTH, BUT THEY PROCLAIMED ME THE WIZARD... AND I NEEDED THE JOB.
AND YOU MEAN, YOU SENT US TO KILL EVILLENE... KNOWING... WE MIGHT NEVER COME BACK ?
SHE WOULD'VE KILLED ME.
SHE WOULD'VE FOUND OUT I HAD NO POWER, AND TOOK OVER OZ.
THAT'S NO EXCUSE.
COME ON.
PLEASE, PLEASE DON'T GO.
I LIVE -- I LIVE HERE ALL ALONE... IN TERROR... THAT SOMEONE WILL FIND OUT... THAT I'M A FRAUD.
PLEASE, JUST STAY WITH ME FOR A LITTLE WHILE AND TALK.
YOU CAN TALK TO ME CRAZY, CALL ME NAMES.
WHAT'S THE MATTER ?
NOW I'LL NEVER GET MY BRAIN.
NOR MY HEART.
OR MY COURAGE.
BUT YOU DON'T NEED THEM NOW, BECAUSE YOU'VE HAD THEM ALL ALONG.
SCARECROW.
SCARECROW ?
YOU'RE THE ONE WHO FIGURED OUT HOW TO FIND THE YELLOW BRICK ROAD, AND HOW TO DESTROY EVILLENE, AND EVERY SMART MOVE WE'VE MADE.
DIDN'T YOU ?
DIDN'T YOU ?
AND LION, YOU WOULDN'T EVEN GIVE UP WHEN EVILLENE STRUNG YOU UP BY YOUR TAIL.
AND TIN MAN, YOU HAVE MORE HEART THAN ANYONE I'VE EVER KNOWN.
HONEST ?
YES.
YOU NEVER NEEDED ANYTHING FROM THE FAKE WIZARD ANYWAY.
" IF YOU BELIEVE "
" WITHIN YOUR HEART YOU'LL KNOW "
" THAT NO ONE CAN CHANGE "
" THE PATH THAT YOU MUST GO "
" BELIEVE WHAT YOU FEEL "
" AND KNOW YOU'RE RIGHT BECAUSE "
" THE TIME WILL COME AROUND "
" WHEN YOU SAY IT'S YOURS "
" BELIEVE THERE'S A REASON TO BE "
" BELIEVE YOU CAN MAKE TIME STAND STILL "
" YOU KNOW FROM THE MOMENT YOU TRY "
" IF YOU BELIEVE "
" I KNOW YOU WILL "
" BELIEVE IN YOURSELF "
" RIGHT FROM THE START "
" YOU'LL HAVE BRAINS "
" YOU'LL HAVE A HEART "
" YOU'LL HAVE COURAGE "
" TO LAST YOUR WHOLE LIFE THROUGH "
" IF YOU BELIEVE IN YOURSELF "
" IF YOU BELIEVE IN YOURSELF "
" IF YOU BELIEVE IN YOURSELF "
" AS I BELIEVE INYOU "
WHAT ABOUT YOU, DOROTHY ?
YOU'LL NEVER GET HOME.
ME ?
I GUESS YOU'RE STUCKWITH TOTO AND ME.
[ Jingling ]
[ Wiz ]
IT'S GLINDA, THE GOOD WITCH OF THE SOUTH !
SHE HAS GREAT POWERS.
HELLO, DOROTHY.
PLEASE, IS THERE A WAY FOR ME TO GET HOME ?
DOROTHY, YOU WERE WISE AND GOOD ENOUGH... TO HELP YOUR FRIENDS FIND WHAT WAS INSIDE THEM ALL THE TIME.
THAT'S TRUE FOR YOU, ALSO.
HOME ?
INSIDE ME ?
I DON'T UNDERSTAND.
HOME IS A PLACE WE ALL MUST FIND, CHILD.
IT'S NOT JUST A PLACE WHERE YOU EAT OR SLEEP.
HOME IS KNOWING.
KNOWING YOUR MIND, KNOWING YOUR HEART, KNOWING YOUR COURAGE.
IF WE KNOW OURSELVES, WE'RE ALWAYS HOME, ANYWHERE.
" IF YOU BELIEVE "
" WITHIN YOUR HEART YOU'LL KNOW "
" THAT NO ONE CAN CHANGE "
" THE PATH THAT YOU MUST GO "
" BELIEVE WHAT YOU FEEL "
" AND KNOW YOU'RE RIGHT BECAUSE "
" THE TIME WILL COME AROUND "
" WHEN YOU'LL SAY IT'S YOURS "
" BELIEVE THAT YOU CAN GO HOME "
" BELIEVE YOU CAN FLOAT ON AIR "
" YES, CLICK YOUR HEELS THREE TIMES "
" IF YOU BELIEVE "
" AND THEN YOU'LL BE THERE "
" THAT'S Why I WANT YOU TO BELIEVE IN YOURSELF "
" YES, RIGHT FROM THE START "
" YOU'VE GOT TO BELIEVE "
" BELIEVE IN THE MAGIC RIGHT THERE IN YOUR HEART "
" GO AHEAD BELIEVE ALL THESE THINGS "
" NOT BECAUSE I TOLD YOU TO "
" NOW, GO AHEAD AND BELIEVE "
" BELIEVE IN YOURSELF "
" OOH, YEAH BELIEVE "
" BELIEVE IN YOURSELF OOH, YEAH "
" YEAH, YEAH BELIEVE IN YOURSELF "
" AS I BELIEVE IN YOU ""
YOU MEAN, I COULD HAVE GONE HOME... BY CLICKING MY HEELS THREE TIMES ?
UH-HUH.
[ Wiz ]
DOROTHY.
CAN YOU DO SOMETHING FOR ME ?
THEY'VE HAD WHAT THEY'VE BEEN SEARCHING FOR IN THEM ALL ALONG.
I DON'T KNOW WHAT'S IN YOU.
YOU'LL HAVE TO FIND THAT OUT FOR YOURSELF.
BUT I DO KNOW ONE THING.
YOU'LL NEVER FIND IT IN THE SAFETY OF THIS ROOM.
I TRIED THAT ALL MY LIFE.
IT DOESN'T WORK.
THERE'S A WHOLE WORLD OUT THERE.
AND YOU'LL HAVE TO BEGIN... BY LETTING PEOPLE SEE WHO YOU REALLY ARE.
SUCCESS, FAME AND FORTUNE, THEY'RE ALL ILLUSIONS.
ALL THERE IS THAT IS REAL... IS THE FRIENDSHIP... THAT TWO CAN SHARE.
THAT'S BEAUTIFUL.
WHO SAID THAT ?
I DID.
OH, DOROTHY.
I'LL THINK OF YOU ALL THE TIME.
[ Tin Man ]
AND I WILL MISS YOU... EVERY DAY.
EVEN IF I HAD TO GO BACK TO THAT JUNK PILE, EVEN AS TEENIE'S SEAT CUSHION, I WOULDN'T MIND, BECAUSE I HAVE KNOWN REAL LOVE.
OH, DON'T RUST YOURSELF, NOW.
OH, DOROTHY.
IF IT HADN'T BEEN FOR YOU, I'D STILL BE BACK ON THAT PEDESTAL... AFRAID TO LIVE.
ME, TOO.
THANK YOU.
THANK YOU.
THANK YOU FOR BEING MY FRIENDS.
I'M READY NOW.
THINK OF HOME.
HOME.
" WHEN I THINK OF HOME "
" I THINK OF A PLACE "
" WHERE THERE'S LOVE OVERFLOWIN' "
" I WISH I WAS HOME "
" I WISH I WAS BACK THERE "
" WITH THE THINGS I'VE BEEN KNOWIN' "
" WIND THAT MAKES THE TALL TREES "
" BEND INTO LEANING "
" SUDDENLY THE SNOWFLAKES THAT FALL HAVE A MEANING "
" SPRINKLING THE SCENE "
" MAKES IT ALL CLEAN "
" MAYBE THERE'S A CHANCE FOR ME TO GO BACK "
" NOW THAT I HAVE SOME DIRECTION "
" IT WOULD SURE BE NICE TO BE BACK HOME "
" WHERE THERE'S LOVE AND AFFECTION "
" AND JUST MAYBE I CAN CONVINCE TIME TO SLOW UP "
" GIVIN' ME ENOUGH TIME IN MY LIFE TO GROW UP "
" TIME BE MY FRIEND "
" LET ME START AGAIN "
" SUDDENLY MY WORLD'S GONE AND CHANGED ITS FACE "
" BUT I STILL KNOW WHERE I'M GOIN' "
" I HAVE HAD MY MIND SPUN AROUND IN SPACE "
" AND YET I'VE WATCHED IT GROWIN' "
" AND IF YOU'RE LISTENIN', GOD "
" PLEASE DON'T MAKE IT HARD "
" TO KNOW IF WE SHOULD BELIEVE THE THINGS THAT WE SEE "
" TELL US SHOULD WE RUN AWAY "
" SHOULD WE TRY AND STAY "
" OR WOULD IT BE BETTER JUST TO LET THINGS BE "
" LIVIN' HERE IN THIS BRAND-NEW WORLD "
" MIGHT BE A FANTASY "
" BUT IT TAUGHT ME TO LOVE "
" SO IT'S REAL REAL TO ME "
" AND I'VE LEARNED "
" THAT WE MUST LOOK INSIDE OUR HEARTS "
" TO FIND "
" A WORLD FULL OF LOVE "
" LIKE YOURS, LIKE MINE "
" LIKE HOME "

CLOSED-CAPTIONED BY CAPTIONS, INC. LOS ANGELES

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Ich finde es teilweise wirklich traurig , dass gewisse dinge wie konzeptzeichnungen , storyboards und auch making-of-material kaum an die öffentlichkeit kommt , denn genau diese dinge liegen mir sehr am herzen und man kann daraus viel lernen und gewisse werke nochmal von einer ganz anderen seite kennenlernen . Ein script wie im vorigen post beispielsweise finde ich sehr wertvoll ! Diese 5 konzeptzeichnungen konnte ich leider nicht grösser finden ...

Der Zauberer von Oz (Original: The Wizard of Oz) ist ein US-amerikanischer Musicalfilm aus dem Jahr 1939 mit Judy Garland in der Hauptrolle. Er ist als einer der großen bunten amerikanischen Farbfilme in Dreistreifen-Technicolor berühmt geworden und zählt in den USA bis heute zu den bekanntesten Filmen überhaupt. Als Vorlage diente das Kinderbuch Der Zauberer von Oz von L. Frank Baum. Alternativtitel ist Das zauberhafte Land.

Handlung :
Das Mädchen Dorothy wird durch einen Wirbelsturm mitsamt Häuschen und Hund Toto in das magische Land Oz geschleudert. Dort landet sie genau auf der bösen Hexe des Ostens, die das nicht überlebt. Die gute Hexe Glinda warnt Dorothy vor der bösen Hexe des Westens, die versuchen wird ihre Schwester zu rächen. Hilfe könne sie vom Zauberer von Oz bekommen. So begibt sich Dorothy auf den Weg dorthin und trifft auf ihrer Wanderung auf die Vogelscheuche, die statt Stroh gern ein Gehirn hätte, den Zinnmann, der ein Herz möchte, und den ängstlichen Löwen, der sich mehr Mut wünscht. Mit diesen drei Begleitern muss das Mädchen allerlei Abenteuer bestehen, um den Zauberer zu erreichen. Den will sie bitten, sie wieder zurück nach Hause zu bringen. Der Zauberer ist jedoch eigentlich gar keiner, sondern ein Jahrmarktschausteller, den es vor Jahren mit einem Ballon in das – echte – Zauberland verschlagen hatte. Dort konnte er sich gegen die echten Zauberer nur durch geschickte Tricks behaupten. Dies offenbart sich allerdings erst, nachdem der Zauberer Dorothy und ihren Begleitern zur Bedingung macht, die böse Hexe und ihre fliegenden Affen zu besiegen. Nachdem diese Aufgabe erfolgreich gelöst wurde, erhalten alle das, was sie sich gewünscht haben, wenn auch ohne Zauberei. Zu guter Letzt wacht Dorothy auf und stellt fest, dass alles nur ein Traum gewesen ist.

http://de.wikipedia.org/wiki/Der_Zauberer_von_Oz_%281939%29